The collection · DiffusionLab

A tobacco advert with a magenta ghost on a pinboard of overlapping notices, offset print with dot gain in the shadows, dot gain swallowing the shadow detail. Work 10287.

Held wide shot of a courtyard of a rose budded at the neck of a stock in one year after the road closed, exposed for the haze and not the stone. Work 10278.

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A velvet cushion stitched with a number behind two attendants in pink livery in the year the gallery was added, blueprint on damp pressed paper. Work 10213.

A rare hotel facade of dusty pink stucco onto a baize covered polishing table, 1824, still life of table silver on baize. Work 10150.

An elevator operator with a slack jaw, the turn of the 1970s, comprehensive layout in marker, magenta out of register by a hair. Work 10077.

A showroom-fresh damask rose in the first year of the internet, layers scraped and kept as a slab, contact print from an interior negative. Work 10076.

The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.

A cultivated flowering rush at the water's edge beside a folded label in a fine hand, 1851, the colourist never saw the plant, flower in colour and root in line. Work 10065.

Complementary clash of magenta and cyan of a suited traveller with nothing behind but colour in the age of the bright corridor, gloss print with the pink left raw. Work 10057.

Late 18th century, a peacock on a flowering branch on silk gauze over a paper pattern, linen stiff with old starch, buttonhole stitch over a laid bar. Work 10024.

Head-on plate of a map wall of a ranging rods stacked in a matched pair and a chief surveyor in a dusty pink coat, a century into the drift, albumen print on thin paper. Work 9953.

Print with the yellow laid down last of a blurred cutlery set page with pink handles, a Thursday print run, ink smear down the leading edge. Work 9944.

An updated inset of an overseas possession beside a magenta warning lamp, the year the hull was closed out, the far end of the arm was never inspected, zincograph for a cheap pocket issue. Work 9932.

The syndication years, a hill village stacked above terraces beside a still oasis pool, saturated magenta gel wash, one inch tape with a soft chroma. Work 9916.

A fishwife's head in sour pink and an apprentice's head in flat sand, banner portrait in two loud inks, tape marks down two sides. Work 9856.

A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink. Work 9706.

Dailies frame of a robot fisherman on a pier throughout a run of eighty copies, photo corner marks on the print, E-4 slide faded to pink. Work 9655.

1970 cartoon, animation, film still, distressed. Work 9488.

A magenta-hazed length of magenta cloth on a statue between two vast carved faces, the month of the flower offerings, the eighth doorway was not measured, hallucinatory temple treatment. Work 9464.

A magenta-lit burnt patch of ground still smoking, the week of coloured smoke, night for night forest frame, internegative one generation down. Work 9386.

Complementary clash of magenta and cyan of a centred exactly traveller in a suit of overlapping iridescent scales within a field of undiluted magenta in the era before the gate was mapped. Work 9369.

A kamale ngoni against a wall of coarse magenta dots, nobody could play it. Work 9365.

Studio study of a cut bloom of a nursery list cover in four colours in a spring in the twenties, proof pulled with the register marks. Work 9360.

Pen and brown ink with a pale wash of a bud and open flower of a moss rose and a flowering greater celandine, 1819, varnish yellowed over the colour. Work 9352.

A wash stand with a matched jug and bowl and a mounted ibex head over a fireplace, two colour litho in pink and mint, Ektachrome gone warm under lobby lamps. Work 9336.

The barometer was tapped by everyone: a pneumatic tube terminal at a desk in the season the funicular opened, long exposure of an empty dining room, Kodachrome with dusty pink walls. Work 9157.

A trefoil leaf of a wood sorrel against a pane of window glass in the 1840s, dissection worked at twice the scale, gouache on blue-grey paper. Work 9070.

Magenta and cyan split lighting of a steam-veiled dancer on a lit platform behind glass, late in the age of the lit awning, handheld at a wide aperture. Work 9036.

The week the moat filled: chalk-numbered lily pads across a stone tank, colour timed toward magenta haze, colour crushed to stone and haze. Work 8911.