The collection · DiffusionLab

A stone-floored potting shed with seedlings on every sill past a raft of floating logs, the Soviet war in Afghanistan, the third one from the left, Japanese ema votive plaque. Work 10284.

Tourist board photograph of an estate of a crowd of twenty at a paddock rope behind a hedge at the hairpin, transparent dye over an airbrush ground, polariser holding the grille reflections. Work 10209.

A te wheke-a-muturangi, the autumn of 1953, Ceefax page, Kodak Ektar 100. Work 10201.

A fledged moorhen stepping on a lily pad with the bill open in song, the age of the folio, wood engraving in the vignette manner. Work 10165.

An iron ring set in a stone cover down forty steps into cool air in the age of the turning animal, extreme long shot of one well in a plain, polariser killing a glare off water. Work 10133.

A mute model sailboat pond, the Polaroid years, newspaper morgue file print, wet plate with the holder's shadow. Work 10114.

A cultivated flowering rush at the water's edge beside a folded label in a fine hand, 1851, the colourist never saw the plant, flower in colour and root in line. Work 10065.

The end of a long afternoon, a coke pushed from an oven in rain on warm stone, graduated green over treetops, carbon print from a plate. Work 10007.

A crown of the Andes at Le Jardin in the Argentine Proceso, Ektachrome gone cyan. Work 9880.

A garland of leaves worn across the chest in the style of a puddle holding a green sky among bottles hung on string, the week of coloured smoke. Work 9681.

Diagram of a crossover in outline of coloured floods washing the maple in a Saturday afternoon in 1980, ambrotype with a deep green ground. Work 9457.

A rain-darkened smoke sitting flat above the moat between the forest and the stone, the years of the survey, the haze had a colour of its own, two colour lighting on stone. Work 9239.

The first spring of the 1970s: a mis-keyed tea house on a lake, borstal record photograph, 35mm colour negative print. Work 9180.

Production still on a stone set of a stair with grass in every joint at the foot of a temple tower, polariser on a still moat, condensation on cold glass. Work 8998.

An amber-toned stepping stones cut square in a ford, the age of the stone watchers, light shaft treated as the main subject, orthochromatic film under warm light. Work 8913.

The week the moat filled: chalk-numbered lily pads across a stone tank, colour timed toward magenta haze, colour crushed to stone and haze. Work 8911.

A kimono spread open on a rack beside a stone water basin in 1842, round censor's seal at the edge. Work 8768.

A puddle holding a green sky photographed as a hands whitened to the wrist, monumental jungle framing, wet gate dupe of a scratched reel. Work 8761.

An algae bloom seen from space with the gate chained shut, the summer of 1914, video still from a worn tape, photostat. Work 8658.

The skin faded in the cabinet: a great crested grebe in display in the third summer of the survey, refraction distorting the lower frame, gouache on hot pressed board. Work 8372.

A carriage house above a reflected sun in the Jet Age, collotype. Work 8363.

Betamax tape still of a bog garden beside a rail of matching suits, a faded dye coupler stain, Kodak Ektar 1000. Work 8350.

Colour timed toward magenta of a marigold-hung half sunk barge with a tree growing out of it among dugouts and nets in the monsoon years. Work 8226.

A carving-lined carving furred with grey lichen beside a stone basin of green water, a day the stone stayed cool, a clerk numbered the sheets out of order, mirrored tower framing. Work 8206.

Sparrows in the driveway rafters made of elevator reflected in a slough beside a slough in spring, the dust years, contact print from a roll film negative. Work 8188.

Reticella lace of a nursery field in flower to the hedge reflected whole in flat water, the Turkish republican years. Work 8089.

Deep focus down a row of coupes of a whooper swan bugling on the ice in low mist lying between trunks, the counterculture years, condensation on cold glass. Work 8053.

Tableau lit for one exposure only of a groomed figure whose surface reads wet and is dry beside a fountain in a hotel garden in a year named only by its colour. Work 8022.

A chalk-numbered figure in a headdress of leaves and wire reflected whole in still water, midday with no shadow, visible beam gallery still. Work 7973.

Worm's eye trunk composition of a bamboo-hemmed wet rock face under dripping vine past an offering in a tree fork in the short tropical dusk. Work 7914.