The vintage era of AI art, and its electric sheep.
The collection
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The quiet shifts, an airless tanker berthed nose in with half its modules never opened, zero haze with detail all the way out.Work 10206.A boat sledge dragged over rough ice at a rookery ledge, 1903.Work 10197.A mute model sailboat pond, the Polaroid years, newspaper morgue file print, wet plate with the holder's shadow.Work 10114.A bamboo raft crossing the bow dwarfed by both banks, the second month of rain, boat mounted camera frame, five perforation 65mm frame.Work 10068.A tea for one set on a raft moored offshore, the Mau Mau years, restorer's record photograph, airbrushed artwork photographed flat.Work 10064.Wood engraving of a herring fleet of a bleached by salt riding light burning at a masthead under a market roof of glass in 1909.Work 10011.Dabu mud resist print of a trawler with gulls in its rigging in the month the archive skipped, cyanotype of a field sheet.Work 9994.An outrigger canoe on a turquoise shelf, the first postwar summer, airbrushed travel poster lithograph, flat ink with a visible knockout.Work 9832.Four flat inks with no shading of a rowing boat tied to a willow, sugar paper mounted on a wall, dye transfer from a hand tinted plate.Work 9764.A bateau on a drive river under a sky full of smoke haze, the whistle punk was fourteen.Work 9726.Muted pastel over deep shade of a fabric patch cemented over a tear near a bank of engine telegraphs, the summer of the long mooring, bellows extension with a shift applied.Work 9543.An over-scaled late sun striking one column only in the years the boats came inside, grain left visible on the water plane, lithograph with a cold tint plate.Work 9518.A pennanted regatta of white sails on a bay in the season of the gold swimsuit, duplicate transparency losing shadow, C-type print on glossy paper.Work 9209.Cyberpunk jungle airship.Work 9049.Flat areas of ochre and slate blue of a pond yacht with a broken mast in a rack of air cylinders, Perutz C14, half-frame 18 by 24.Work 8942.The week the moat filled: chalk-numbered lily pads across a stone tank, colour timed toward magenta haze, colour crushed to stone and haze.Work 8911.The ship moved half a mile with the floe: ballistic photograph of a light hearted Chinese embroidered silk screen, the autumn of 1975.Work 8873.A sun disc doubled in the river and a fisherman standing in a narrow canoe, scale study of a boat and a bank, wet gate printed dupe.Work 8641.An incense stick burning on a jetty post and a boat and its shadow the only marks on the river under the bottom of a hull, 1864, monumental landscape framing.Work 8546.A mirror fragment wired to the mast dwarfed by both banks, the last dry season, scale study of a boat and a bank, sixteen millimetre reversal original.Work 8451.An egg sac of stars in mist lying at floor level on water in the autumn of 1982, rim light from the sun.Work 8427.Flat colour lithograph primer illustration of a lifeboat on its slipway and a crest above a helm and mantling, around 1150, streaky rolled glass in lead.Work 8421.The skin faded in the cabinet: a great crested grebe in display in the third summer of the survey, refraction distorting the lower frame, gouache on hot pressed board.Work 8372.Relief expedition press photograph of a tin-lidded glacier snout calving into the sea, 1901, emulsion cracked by the cold.Work 8319.1803: a pirated estuary with the sandbanks named, ships engraved under full sail, double page spread with the fold worn.Work 8179.An overhanging branch brushing the mast on a wide brown river, the season before the survey began.Work 7975.A leading marks for a harbour entrance beside a cartouche in the lower right, after the surface was left behind, photozincograph from an engraved original, large format negative in hard sun.Work 7885.A ship's plan with the decks labelled wrong, ink and wash.Work 7818.A bullfrog catching a dragonfly couched in gold thread, the first spring of the 1950s, water surface rendered as a flat plane, lead white heightening over colour.Work 7705.A diesel side trawler riding a swell photographed as a net spread out on a quay to mend, realist harbour painting in flat greys, low contrast in flat sea light.Work 7365.