The collection · DiffusionLab

A laid down on canvas magnetic variation lines across an ocean standing where the light ends, the second state of the plate, high contrast black and white. Work 10247.

A velvet cushion stitched with a number behind two attendants in pink livery in the year the gallery was added, blueprint on damp pressed paper. Work 10213.

Glass gilding panel of a damp smelling post war family saloon, the last summer of the 1980s, release print timed dark. Work 10119.

The hottest month of a bad year: tonal study in copper and bone of a shell of a shelter open to the sky beyond the edge of the mapped route. Work 10050.

A numbered block on a painted wall beyond the last finished block in the century of the cut settlements, charcoal study with a blocked mass, fibre print developed for a long scale. Work 9895.

A patterned carpeted bulb planter, the Betamax years, Russian lubok print, Konica Centuria 100. Work 9872.

Tannoy announced escargot tongs in a grand salon under a single lamp, the New Economic Policy years, airline in flight magazine photograph. Work 9731.

A cable car summit station in the lobby by the jukebox in the spring of 1954, D-76 at 1 to 1. Work 9532.

16mm puppet play telecined to tape of a sequin trimmed felt hedgehog spiked with cut bristles, the last season of a puppet series, grain lifted by an old duplicate. Work 9374.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9228.

A freshly cut seam split glove puppet policeman with a foil whistle, 1801, half height houses reading as distant, surface rubbed at the fold. Work 9206.

A feather-crowned sounding pole marked in bands of paint, the hot half of the year, bounced light off white canvas. Work 9032.

A suited traveller with nothing behind but colour photographed as a traveller in a ribbed suit against turquoise, rendered with the highlights left open, internegative with a cyan bias. Work 9029.

An echo-filled art deco cocktail ring, the Studio 54 years, rescreened from an already printed page. Work 8847.

A man in a double-breasted coat greeting the room on a modular leather sofa, the height of the boom, fashion plate in flat saturated colour, push processed colour negative. Work 8745.

A stole of matted grey fleece over a gilding cushion, instructional film still on composing, foul proof with red corrections. Work 8587.

A blonde head on a pillow of magenta dots above a skyline of black rectangles, the twelve cent era, heavy contour line over flat dots, magenta plate low by two millimetres. Work 8549.

Wall panel print with cells butted up of a taped banana repeated across a yellow grid above a row printed in the wrong order in the year of the ten colourways. Work 8389.

A tape-fed breath sensor clipped to a collar in a room with two chairs and one lamp, the age when every face had a number, sterile symmetry composition. Work 8344.

The age of hard shadow, a sleeping station with a curtain past a pod field on a slow drift, platinum print with a silver highlight, film exposed for the sunlit hull. Work 8334.

A perfectly centred engine room of matched twin cylinders in a crew mess between two benches, the last inspection, the searchlight found nothing that night, interior with three planes of depth. Work 8235.

1970 cartoon, animation, film still, distressed. Work 8096.

A fluid-bright examination couch with paper covering within a hall of twelve lit columns, the decade the inspections became yearly, draughtsman's plate of a hand. Work 8026.

An attendant lacing a rental boot, a Saturday afternoon in 1980, flash-lit rink photograph, Fujicolor 400 with mixed light. Work 7993.

An incense-clouded flat roof terrace with a thin rail printed in two inks and no more, the season the forest came back, signage system in one weight. Work 7875.

The autumn of 1956, an expense-funded coral stone house reduced to fit the page, muted pastel interior grade. Work 7718.

A rock hammer beside a basalt pillow behind a bank of instrument lamps in 1947, bottom camera exposure, Tri-X at the limit of the flash. Work 7630.

The second ascent, a bank of engine telegraphs in a row in a dining saloon set for forty, technical pen with stippled shade, sheet film exposure by window light. Work 7617.

A teapot of hammered brass in the style of a rug of interlocking rectangles against a glazed studio wall, the Basel school years. Work 7594.

A lamp glass cleaned with a rag and an adult in a coach built for a child underneath a canopy a yard wide, the fifteen inch era, railway society record photograph. Work 7498.