The collection

All 1375 keywords
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 10279.
Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9999.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9763.
A pillar rank vanishing into haze photographed as a haze hiding the top of a structure, epic science fiction film still, glossy print with a hard black. Work 9644.
Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9487.
A temple pylon with a ruled shadow beneath a sky far too big for a train, the fifteen inch era. Work 9414.
Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9362.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9341.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9301.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9283.
Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9281.
A solemn-faced boundary stone with two faces carved, the age of the stone cutters, panoramic roll film on a rotating back. Work 9198.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9133.
Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9116.
Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9109.
Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9103.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9045.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9026.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9021.
Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9019.
Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9012.
Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9010.
A Celtic hill fort feast beside a pedestal camera, silver print burned in at the edges, print with a rainbow ghost from the lens, albumen print of a linen tracing. Work 8667.
Hard-edged futurist illustration of an antenna mast crowded with dishes beneath a crest cut into stone, the decade the sky was sold in lots. Work 8491.
A column of depths written in ink lost against the scale behind it, the last of the deep bores, monumental ruin with a tiny figure, exposure protected for the bright sky. Work 8416.
A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.
A hand of a broken statue larger than a cart beside a bell hung in a stone arch in the age of the stone cutters, emulsion coated the night before. Work 7423.
A scaled small crowd of observers all facing the same way beside a two figures measuring the slab with a tape, the age of the unanswered question, immense flat black as the subject. Work 6827.
The second slab was never opened: a theodolite on a tripod facing a monolith in the year the railway was added, streets left white between ruled blocks, polarised sky over pale concrete. Work 6780.
The front room before the move: Hyalotype lantern slide of a lace edged tombstone carver, harvest time 1968. Work 6632.