The vintage era of AI art, and its electric sheep.
The collection
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A stone-floored potting shed with seedlings on every sill past a raft of floating logs, the Soviet war in Afghanistan, the third one from the left, Japanese ema votive plaque.Work 10284.An alien shaped like a tall hat at a roadhouse with boarded windows, platinum print warmth, Ektachrome 64 on a white sweep, the sun in the frame.Work 10237.A bus stop on a coast road, kodachrome, wind, salt.Work 10153.A ghost train facade photographed as a dal tadka, coastal erosion monitoring photograph, carbro print.Work 10121.Threshing machine catalogue illustration of a dust explosion damage on a headhouse in flat light on open prairie, dye-coupled colour negative, colour transparency faded to cyan.Work 10094.A Lyons Maid freezer box and a line of sun loungers, box camera snapshot, glare off wet sand.Work 10087.A tea for one set on a raft moored offshore, the Mau Mau years, restorer's record photograph, airbrushed artwork photographed flat.Work 10064.The summer of 1976: a crowded beach at high tide outside a bathing cabin, black and white press photograph, orange fade of an old print.Work 10054.The hottest month of a bad year: tonal study in copper and bone of a shell of a shelter open to the sky beyond the edge of the mapped route.Work 10050.Anamorphic frame of dense forest of a mud printed with bare feet below a roof of leaves, the third day inland, front element fogged with damp.Work 9924.A gone green Ndebele painted house beside a peacock chair, the Rhodesian UDI years, process plate for a background.Work 9908.A level-poured bore casing standing above bedrock with a rope going down out of sight, the month the herds doubled, symmetrical composition around a rim.Work 9902.Service manual step photograph of a satellite dish village in a valley and a tree with roots in the sky, the World Cup summer of 1954, chemical stain on the border.Work 9868.A cameraman's face in flat blue grey under a tin roof over a rum counter, the week the pink ink arrived.Work 9793.A crowd on a hotel roof with binoculars beside a lap board on the wall, glossy magazine double page spread, 5x4 colour sheet for a poster.Work 9752.A slow-hauling salt-blinded salt block waymark whitening further, the season the pan stayed dry, composition with the sky filling two thirds, polariser cutting the sheen off brine.Work 9734.A tin roofed shed at the edge of a strip and a tie down rope on a blade tip in the short tropical dawn, the first years of the 1970s, sun in frame with heavy flare.Work 9656.The plywood kiosk warped in a month: three-ink poster in red black and grey of a cog-toothed constructed stage set of ramps, the last constructivist years.Work 9496.The year of the big burn, a sap-sticky bunkhouse with double bunks on the last turn of the day, watercolour of a flume trestle.Work 9415.1873, a rail-tracked stalactite curtain hanging over the water facing the lens from a long way off, monumental void with a tiny camp.Work 9404.A foreshortened four funnels raked in black and red in the late 1920s, halftone only in the sky, collotype plate with soft tone.Work 9340.A freshly painted red elevator office with a potbelly stove at a grade crossing on a grid road, the winter after the crop failed, grain flow schematic plate.Work 9285.A rope-bordered kettle on a stove ring beside a temple gate in red lacquer, 1957, Indonesian match label art.Work 9249.The first spring of the 1970s: a mis-keyed tea house on a lake, borstal record photograph, 35mm colour negative print.Work 9180.The age of the exhibition layout: a matchstick framed scale figure standing at a kerb, deadpan record of a built town, gelatin dry plate interior exposure.Work 9175.A goaf behind the advancing face in a heading behind brattice cloth in the last year of hand hewing, industrial archaeology survey frame, drypoint with a heavy burr.Work 9167.The last one on the roll: a rope ferry hut with a tin roof in the year the hospital opened, health and safety inspection photograph, fibre print with a warm black.Work 9088.A sealed desert suit at a doorway under a striped awning at a kerb, wood engraving on a fine block, screen print in six flat inks, platinum print on rag paper.Work 9075.A sand-blasted temporary grain pile under a tarpaulin against a wall of black cloud, harvest of 1928, stereograph pair of a threshing crew.Work 9060.The Hundred Years War: technical manual cutaway of a sloop beside a cairn on a bare saddle.Work 8957.