The collection · DiffusionLab

A sprig of rosemary in flower made of split seed head of a garden poppy on a sheet of laid paper, 1831, paper tooth breaking the finest line. Work 10142.

A face in three quarter profile in a Prague courtyard in the spring of 1968, Gevacolor cold blues. Work 9965.

Artwork traced from a photograph of a calendula flower opened wide sent by post in a paper bag, 1914. Work 9922.

A window bottle lit from behind with a single figure for scale, 1597, luggage label vignette, label stained where the syrup ran. Work 9778.

A wet night in 1985, a valet sprinting past a row of headlamps beside a stack of alloy wheels, print with a hot spot on the bonnet, brochure page on heavy gloss art stock. Work 9720.

A pressure-tight line tender with rope over his shoulder in the second season under the ice, collodion positive on glass, chromolithograph in eight colours. Work 9714.

An ear of wheat crossed with a sickle in the style of a lamplighter with a long pole on a bundle wrapper of ten boxes, 1953. Work 9503.

A double-ranked hood lined with felt to deaden sound beside a sash woven with copper thread, a cold morning with no wind, close study of hands on cold metal. Work 9372.

A belt of knotted wool cord beside a pipe venting into the wind in a decade of quiet ground, vignette from a deep lens hood. Work 9318.

A bridle hung with small worked discs down a slip face in loose grain, the years the dunes were unmapped, insurance survey photograph, low speed emulsion with fine grain. Work 9305.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9228.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9092.

A breathing filter on a cheek, underwater colour transparency, the log was in pencil because of the wet, dyeline copy of a work study sheet. Work 8981.

A rail-worn Australian cattle dog in the Achaemenid years, Polaroid 779, late golden light. Work 8935.

A wryneck flattened against bark above a distant estuary, 1755, flat colour with a lithographic key line, colour sitting proud of the outline. Work 8866.

Camel-coated two men in overcoats beside a low slung wedge, midweek in 1987, varnished dealer poster. Work 8826.

A portfolio of ten heads, a garish apprentice's head in flat sand reduced to a black plate and a pink, portrait printed on stiff white board. Work 8780.

A man in a double-breasted coat greeting the room on a modular leather sofa, the height of the boom, fashion plate in flat saturated colour, push processed colour negative. Work 8745.

He signed it in the last quire: figures set against a patterned void of a damascened falconer on horseback for May, late 11th century. Work 8693.

A chrome-yellow councillor's face in sour brown against a backing board of black, a portfolio of ten heads, the studio only had lime and pink left, portrait with the skin left bare paper. Work 8513.

Wide frame with the slab dead centre of a figure seated on a folding chair in the dust and a figure standing in the slab's shadow, the year the slab was measured. Work 8479.

A stencil-numbered telephone in a mahogany box on a catwalk over a long fall, 1867, the engine gong was rung once, presentation plate for a shareholder report. Work 8454.

A longhorn steer at a water trough over a range of violet mountains in 1926, proof plate with colour progressions, clay coated label stock with a sheen. Work 8439.

An incubating wren singing with the tail cocked, 1731, drypoint with the eye burnished bright, stone recut in the dark barring. Work 8170.

Neon sign design sketch of a man in a mirrored waistcoat clapping overhead, motion blur under a hard flash, HP5 developed hot. Work 8062.

Gouache heightened with gum arabic of a berry of a yew on its twig in 1819, mezzotint on soft paper. Work 8045.

A fluid-bright examination couch with paper covering within a hall of twelve lit columns, the decade the inspections became yearly, draughtsman's plate of a hand. Work 8026.

Ink painting manner on soft paper of a frost-rimmed stack of sacks roped onto a frame, the age before any track came, hand-rubbed with a bamboo baren. Work 7839.

A comb ribbed plasticine owl with two bottle top eyes with dust caught in the fresh clay, one long afternoon in 1969, puppet held in a surface gauge. Work 7804.

Serial head print in eight variants of a cropped tight self portrait in flat pink, the season of the loud palette, moire over a rescreened source. Work 7673.