The collection · DiffusionLab

It smelled of cigarettes: gouache illustration on board of a riveted man in mirrored sunglasses indoors, the disco backlash. Work 10156.

A clay sailor with rolled trouser legs, the school term of 1965, model animation lit like a landscape, gate weave rocking the whole frame. Work 10152.

Complementary clash of magenta and cyan of a suited traveller with nothing behind but colour in the age of the bright corridor, gloss print with the pink left raw. Work 10057.

Sixteen-cell print on a single sheet of a paper-edged sunglasses repeated across a sheet, the last sheet of the batch, thumbprint in the margin of the sheet. Work 9979.

A pressure-tight line tender with rope over his shoulder in the second season under the ice, collodion positive on glass, chromolithograph in eight colours. Work 9714.

Dailies frame of a robot fisherman on a pier throughout a run of eighty copies, photo corner marks on the print, E-4 slide faded to pink. Work 9655.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 9628.

The last full production year: safety handbook figure with arrows of a welding hood with the visor down against a wall of glazed brick. Work 9575.

Still from a resort advertising film of a man in aviators asleep with a book on his face and a man in a yellow shirt hailing a water taxi, the summer nobody went home. Work 9552.

Tableau on a shore facing the lens of a gravel-floored fall of water landing without wind above a skull the size of a table in the summer of the deep survey. Work 9546.

The flag still stood on the return: snow goggles with slits cut in them in the winter of 1915, coastal profile sketch, bromoil with brushed texture. Work 9533.

A crew member with a helmet tucked under an arm, arc light blowing out one corner, the suit was three sizes off and worn anyway, colour negative timed for the suit whites. Work 9459.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9394.

Canvas-suited bubbles rising in a slow column numbered on a wired brass tag, 1894, row of helmets in an even line. Work 9355.

Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9320.

A man in a striped shirt on two handsets at once, stereo pair survey photograph, the record was left in the sun, contre jour. Work 9178.

Two of the jars had the same number: cutaway of a helmet and breastplate of a tide-slowed fossil slab mounted on a velvet board, the week of the inspection. Work 9135.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9116.

A man in a white suit skiing with a briefcase and a man in a silver ski suit toasting the valley, wire service colour photograph, Type C print on glossy paper. Work 9113.

A pair of figures holding one bar photographed as goggles with scratched lenses, high vantage frame of a formation, punched tape strip laid flat. Work 9062.

A crooked-pasted eclipse over a crowd with paper glasses in the 1920s, Efke R17, poster paper cracked along a fold. Work 9061.

Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9048.

A man in a red suit balanced on one ski, the last of the manual choke, promotional film frame with a lens flare, screen print in five saturated inks. Work 9024.

Frontal portrait of a helmeted figure of an attendant screwing a helmet down in the century the shimmer was mapped, carbro print with soft edges. Work 8986.

The era of the outer moorings: a welder in a hood the shape of a helmet under a thruster bell the size of a church, brutal scale comparison shot, contact print with dense shadow. Work 8862.

Camel-coated two men in overcoats beside a low slung wedge, midweek in 1987, varnished dealer poster. Work 8826.

An oppressive flyer circling a vertical face, the second era of the watchers, photoreal render with volumetric haze, polariser deepening a pale sky. Work 8737.

1989: a man serving conch fritters off a tin tray off a reef in ten feet of water, watch advertisement taken underwater, transparency scanned for a poster. Work 8725.

Reflection frame in a boat windscreen of a woman in a peach bikini holding a parrot beneath a hotel sign in script neon, a long weekend in 1984, gouache artwork on tinted paper. Work 8650.

Beam of light through vented steam of a crew member with a mirrored dome helmet and a suited figure no taller than a hull rivet, the long cold assembly winter. Work 8441.