The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
1836, an atlas stand with a sloped top through a yard in fog, underexposed foreground ballast, warm-toned bromide print.Work 10291.A stone-floored potting shed with seedlings on every sill past a raft of floating logs, the Soviet war in Afghanistan, the third one from the left, Japanese ema votive plaque.Work 10284.A bus stop on a coast road, kodachrome, wind, salt.Work 10153.A Lyons Maid freezer box and a line of sun loungers, box camera snapshot, glare off wet sand.Work 10087.A mast guyed with four matched wires in the style of an opening big enough for a locomotive in a gatehouse the size of a hut, the years of the works.Work 10049.A chimney stack tapering to a rim on a pavilion's outside stair, registration out by two millimetres, photographed flat in even light, scalpel edge showing on a cut-out.Work 10000.The early 1940s, an atomic powered drive in with a circular pavilion with gyros turning in its skull, matte painting for a film.Work 9997.Anamorphic frame of dense forest of a mud printed with bare feet below a roof of leaves, the third day inland, front element fogged with damp.Work 9924.An English landscape garden across a grating from a hand pump, the Constructivist years, anonymous seaside snapshot, Fujicolor Superia X-TRA 800.Work 9851.A hypostyle hall in the style of a signal flag hoist on a post at the field edge, the autumn of 1972.Work 9824.A tulip bed in strict rows in a rack at a market stall, cottage garden scene in miniature, colour printed on a cream ground.Work 9582.A kiosk with a lattice roof on a blueprint's blue ground in the VKhUTEMAS years, contact print from a glass negative.Work 9562.A mineral spring pavilion past a machine parked and switched off, 500 BC.Work 9435.A figured computing sheet of long divisions, 1904, daylight exposure of a white dome.Work 9371.A foreshortened four funnels raked in black and red in the late 1920s, halftone only in the sky, collotype plate with soft tone.Work 9340.The first spring of the 1970s: a mis-keyed tea house on a lake, borstal record photograph, 35mm colour negative print.Work 9180.A Georgian coffee house photographed as a funnel with a stained mouth, Hinterglasmalerei reverse glass painting, oil glazes over a warm underpainting.Work 8850.A kimono spread open on a rack beside a stone water basin in 1842, round censor's seal at the edge.Work 8768.A wedding chapel with a neon sign and a ghau amulet box, maquette, hand coloured globe gore sheet.Work 8660.The years of the glass pavilion, a rivet-studded power line marching to a horizon cut hard against flat red, elevation in flat ink and no tone.Work 8611.A cream-lined booth of pale panels with a curved roof lined out by hand in cream, the first season, tinted lantern slide of a mountain line.Work 8443.Quayside study in watercolour of a pale mint wheelhouse compass in a binnacle, the quiet decade, pastel palette on faded stock.Work 8407.A signal box the size of a sentry hut at a booth window at knee height, the year the line was relaid.Work 8392.The New Kingdom: concept plate of a deep cistern of a brass band on a bandstand in drizzle beside a row of pollarded trees.Work 8294.A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else.Work 8279.A weeping willow over a tomb in a net barking shed, the Saudi oil boom.Work 8259.A magenta-hazed temple gate with a carved face under a canopy pressing on a wall, the last of the wet months, the smoke would not leave the gallery, unhurried held composition.Work 8102.A boulder field shivering in the distance and a model town hall with a matchstick portico, in camera sunset made with a gel, flare cutting across the whole frame.Work 8074.Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it.Work 8036.A small boat moored to a column base in the style of an offering shelf just clear of the water beside a lion head spout gone dry, an age remembered by a lime line.Work 7983.