The collection · DiffusionLab

A bishop saint in a jewelled mitre and a broken quarry mended with a lead, hot ruby set against a cool blue, vitreous paint fired at 640 degrees. Work 9673.

Czech avant garde photogram of an old fashioned in a cape opened to the floor, the winter of 1975. Work 9324.

A renaissance portrait of a bulldog as a duke, oil on canvas, heavy drapery. Work 8791.

Long lens study through fog of a figure holding a struck bar still ringing, wide crop with a high flat horizon, colour balanced to grey daylight. Work 8672.

Study of felt and metal together of a robe dyed the red of old brick in the week the fog stayed down, square frame with the line low in it. Work 8598.

1846: keyline engraving with flat colour behind of a wire and felt shepherd in a wool cloak beside an old coastline left in dotted line. Work 8565.

Deep focus plate from horizon to boot of a pleated overrobe weighted at the corners, daylight stock rated at twenty five, exposure protected for a black garment. Work 8380.

The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge. Work 8192.

A sunburst-gold bandleader in a bishop collar coat, the summer of 1974, Plus-X with two hard heads. Work 8164.

A figure in a sulphur yellow cloak photographed as a padrón pepper, test pattern still, photographed flat under soft light. Work 7655.

Both puppets were the same puppet: painted backdrop against real boards of a footlit rod puppet fisherman in an oilskin cape, the school holidays of 1973. Work 7499.

Silkscreen head at poster scale of a film starlet's head in acid pink and green against a flat grey studio ground, newsprint offset print gone pink, flooded mesh leaving a ridge of ink. Work 7466.

A grass-caped hand-oiled carved post wound with vine, one long green afternoon, hand-coloured railway view print, two-colour litho print. Work 7137.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

The second colonial decade: a tarpaulin-covered screen wall selling something in two tongues, airbrushed genre poster treatment, heavy atmospheric density. Work 7036.

Sequence frame of a procession passing of a figure holding a triangle of thin steel and a yoke carved from a single beam, the third year of the same route, colour balanced to grey daylight. Work 6901.

The pour ran on through the night: a group of four on a roof parapet in two hundred years after the pour, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 6851.

A rubber mask stretched over a skull form in the style of an armature stripped of its rubber in a vice on the armature bench, a cold studio winter of 1966. Work 6738.