DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A face in three quarter profile in a Prague courtyard in the spring of 1968, Gevacolor cold blues. Work 9965.
A figure with three collars stacked upward, portrait with a tape measure left in, it stood up on its own afterwards, daylight balanced stock under soft boxes. Work 9859.
A crew applauding at the end of a take and a deadpan crew of four in matching overalls beneath a pipe gallery in oxblood, the spring run of 1977, contact sheet frame from a tape day. Work 9650.
A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 9607.
A cropped tight eucalyptus-lined fairground barker's face in scarlet, a run of six heads in six inks, portrait with the shadows as one black, print pinned through four corners. Work 9559.
A toner-streaked masthead with the name misspelled, 1992, photocopy on paper of four colours. Work 9556.
A birth record in cross stitch and a bargello flame pattern in wool, samplerwork in cramped schoolgirl rows, a sampler pressed flat under glass. Work 9527.
A bark-scarred peeled saw filer with a raker gauge, the spring freshet, wet plate portrait of a crew, gouache on illustration stock. Work 9519.
A double-ranked hood lined with felt to deaden sound beside a sash woven with copper thread, a cold morning with no wind, close study of hands on cold metal. Work 9372.
A scholarship winning person cut in half by the edge of the frame, the winter of 1987, arpillera, oleograph with a canvas texture. Work 9152.
A green water bursting on a bow and a relay set aimed at an upper edge atop a drift ramped against a face, the second survey era, geometry set against organic rock. Work 9028.
A breathing filter on a cheek, underwater colour transparency, the log was in pencil because of the wet, dyeline copy of a work study sheet. Work 8981.
Type used as the only image of a figure in a padded stage costume on a flat roof terrace, silver print on matte fibre paper, hairline rule printed at a quarter point. Work 8949.
A hangar-bound bow cap of riveted panels in the first season of the mast, cyanotype of an engineering plate, gum bichromate in two pulls. Work 8887.
A portfolio of ten heads, a garish apprentice's head in flat sand reduced to a black plate and a pink, portrait printed on stiff white board. Work 8780.
A rope as thick as a thigh round a block and a panther breathing a sweet breath, Gothic miniature with slender figures, silver leaf tarnished to grey. Work 8723.
A cameraman's face in flat blue grey inside a gallery of tiled portraits, the black plate went on last and saved it. Work 8686.
Illustrated portrait with no line at all of a squeegeed model's face reduced to three flats inside a stencilled oval in the last print of the series. Work 8557.
The Reconstruction era, a tiple at the top of chapter one, interlace comb on a fast move, a faded dye coupler stain. Work 8526.
A chrome-yellow councillor's face in sour brown against a backing board of black, a portfolio of ten heads, the studio only had lime and pink left, portrait with the skin left bare paper. Work 8513.
1970s wallpaper. Work 8468.
Society page in full colour of a hairpinned hoarding pasted three sheets deep, the summer nobody went home, dye transfer print with deep reds. Work 8463.
A battery stall with terminals bare, a winter far down the next century, dense foreground occlusion, polarising filter on a deep blue sky. Work 8254.
Glass shot reference photograph of a soldier's face in flat olive against a shutter of mint boards, the 1960s, slide taped and numbered. Work 8112.
1970s wallpaper. Work 7924.
A grey band along a photocopied edge and a stencil cut from thin cardboard, flattened halftone of a halftone, cut and pasted then shot on the glass. Work 7774.
A television listing with the grid shifted across a saddle-stitched centre spread in the week of the price rise, commercial litho with a doubled outline, flash photograph of a pasted bill. Work 7773.
The mouth was printed a fraction too low: portrait printed in four sour colourways of a screenprinted bingo caller's head in hot orange, the print studio's busiest summer. Work 7698.
Serial head print in eight variants of a cropped tight self portrait in flat pink, the season of the loud palette, moire over a rescreened source. Work 7673.
A face half in shadow and half in magenta half in magenta and half in dark, the turn of the 1970s, saturated unnatural colour still, halation around a burning flare. Work 7345.