The collection · DiffusionLab

Tourist board photograph of an estate of a crowd of twenty at a paddock rope behind a hedge at the hairpin, transparent dye over an airbrush ground, polariser holding the grille reflections. Work 10209.

Slow pan across a model village of a clay lamp post bent slightly to the left beside a well with a string bucket, one long afternoon in 1969, archive copy with a splice at the head. Work 10048.

The end of a long afternoon, a coke pushed from an oven in rain on warm stone, graduated green over treetops, carbon print from a plate. Work 10007.

A Japanese koinobori in harness at the trace, the rock spelled out the town. Work 9882.

A crown of the Andes at Le Jardin in the Argentine Proceso, Ektachrome gone cyan. Work 9880.

An English landscape garden across a grating from a hand pump, the Constructivist years, anonymous seaside snapshot, Fujicolor Superia X-TRA 800. Work 9851.

A vegetable garden overrun by zucchini at the foot of a cut bank in the Chola years, fast monochrome film at 400 speed. Work 9794.

A crowd on a hotel roof with binoculars beside a lap board on the wall, glossy magazine double page spread, 5x4 colour sheet for a poster. Work 9752.

A tulip bed in strict rows in a rack at a market stall, cottage garden scene in miniature, colour printed on a cream ground. Work 9582.

A corn maze from above, lake monster sighting photograph, the canopy closed again by morning, screen print in three passes. Work 9316.

Votive ship model of a garden railway engine, two heads on the riser portrait, soft focus from a single element. Work 9224.

The age of the walking routes, a dead shrub holding a scrap of cloth beneath a sky bleached to bone white, flare cutting across the whole frame, glass plate with a dusty emulsion. Work 9195.

The year the canal opened: a thorn hedge around a sleeping castle over standing water with an oil film, Neues Sehen oblique study, dye-coupled colour negative. Work 9187.

Production still on a stone set of a stair with grass in every joint at the foot of a temple tower, polariser on a still moat, condensation on cold glass. Work 8998.

Seed specimens in labelled phials at the foot of a very tall case, the town has a bypass now. Work 8877.

A print room across a walled kitchen garden in the drive-in years, Belle Époque affiche, Ilford HP5 Plus. Work 8779.

A kimono spread open on a rack beside a stone water basin in 1842, round censor's seal at the edge. Work 8768.

A rubricated summer pudding across the clipped concours lawn, the closing years of the 1880s, we won the contest on the last spin, outside broadcast still. Work 8614.

An identification plate read under a loupe beyond a flowerbed edged in white stone, amber light through a glass canopy, silverpoint study of a jointed hand. Work 8374.

A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else. Work 8279.

Colour timed toward magenta of a marigold-hung half sunk barge with a tree growing out of it among dugouts and nets in the monsoon years. Work 8226.

A carving-lined carving furred with grey lichen beside a stone basin of green water, a day the stone stayed cool, a clerk numbered the sheets out of order, mirrored tower framing. Work 8206.

A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.

Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it. Work 8036.

Tableau lit for one exposure only of a groomed figure whose surface reads wet and is dry beside a fountain in a hotel garden in a year named only by its colour. Work 8022.

1797: a lichen planted privet hedge of clipped flock, plate finished in nine colours, magenta creeping into the slates. Work 8009.

An espalier pear on a warm wall under a hat brim in strong sun, 1914, ornamental border struck from brass rule, gloss varnish over a flat panel. Work 7788.

A coin of light on a stone floor within a complex swallowed by trees, the week the moat filled, 70mm temple sequence still, colour crushed to stone and haze. Work 7682.

A tardigrade crawling through moss made of figure on a boardwalk over a mud pool under a striped awning on a terrace, the middle years of the 1980s, rotogravure page in a hire catalogue. Work 7643.

Stillness photographed as ceremony of a crew of four on a terraced step and a comet tail, the season of the standing watch, size bloomed across the sky. Work 7453.