The collection · DiffusionLab

The year the liner was launched: a Napier shopfront rebuilt after the shake beside a porthole window, press photograph from the period, shallow depth on a portrait lens. Work 10137.

An old fashioned glass sweating on a coaster and a highball with the bubbles still climbing in a bachelor apartment, the Eisenhower years, airbrushed advertising illustration. Work 10102.

A potion bottle with a galaxy inside and a springbok pronking straight up in a cash and carry, the Helvetica years, Sabattier effect print. Work 10033.

A tapestry weaver with a bottle opener on a string, the Lebanese golden age, insect damaged negative, low contrast from an uncoated lens. Work 10027.

The third rotation season: a figure halved by a strip of red light at a table laid for one, photogram of dried seed on glass, sepia faded to a warm grey. Work 10020.

Group portrait on a clipped lawn of a duty free counter with perfume testers in the package tour years, Kodak Ektachrome E-4. Work 9930.

Microfilm frame of a photograph of a wineskin, a white sheet as a reflector, minilab enprint. Work 9860.

A bottle of sauce in six colourways within a border of bare paper, a run pulled overnight, print with the motif traced by hand, stencil edge printed as a hard line. Work 9792.

A glazier holding a grozing iron in the style of a plating of two glasses for one tone within an iron armature, the Gothic Revival decades. Work 9786.

A window bottle lit from behind with a single figure for scale, 1597, luggage label vignette, label stained where the syrup ran. Work 9778.

Blue and black inks on one pull of a sympathetic chain beside the vertebrae, two colour letterpress in black and brick red, wood engraving printed with the text. Work 9576.

A trapeze artist's face in hot yellow in the style of a barman's head in poison lime over a poster pasted to a wall, a commission paid in advance. Work 9502.

Outside broadcast camera frame of a bottle sparkler held high in a booth and a whole floor singing one line together, the spring of 1980, push-processed grain in the shadows. Work 9490.

A stick scratched through a matt from outside with the light behind it in around 1740, mouth blown antique glass in lead. Work 9425.

Cameo glass vase of a blossom-heavy beer stein overflowing with foam, the Depression years, Ansco Printon print. Work 9182.

1943: a juice glass beside a halved orange on a crate under a loading chute, tissue wrapper printing in one ink, bronze lettering with a dull glint. Work 8972.

2525: time served twelve windows in perfect rotation, enamelled glass beaker, caffenol development. Work 8944.

1829: a sprig of dried thyme on a label on a bench dusted with powder, copper engraving in the emblem manner, wet plate with the holder's shadow. Work 8934.

A projectile path with the range marked, 1889, glassware shown in thin double line, collotype on a tipped in plate. Work 8905.

A bucket of ice on a smoked glass table under a bank of pin spots in the last of the deep soundings, focus stacked for a two mile depth. Work 8822.

A wine locker with numbered bays under a lamp swinging in the wind in the hippie years, rushes frame, engraving on a dampened handmade sheet. Work 8741.

A month with every well low: a silt-heavy tea being poured from height, telephoto shot flattening a whole crowd, oil on canvas with a warm ground. Work 8547.

1568: a porphyry slab with a muller behind a bottle marked POISON, photographed by daylight on a bench, hand colour brushed over a woodcut. Work 8438.

A bottle of tonic in the style of a circus of shadows against a starred blue sky, the Futurist years. Work 8433.

The last summer of steam: an ash-dusted driver oiling round with a can, shed roster record snapshot, silver gelatin contact print. Work 8388.

A silk-lined man pouring from a bottle held at arm's length with a magnum held by the neck, the bonus season, carriage panel landscape. Work 8376.

The summer of 1953, an heiress slumming in a dive bar beside a burning oil barrel, reading crease across a figure, showthrough from the reverse page. Work 8349.

A thinly-printed bottle-green surface with no mark or joint on it, the patient centuries, horizon set on the lower third, varnish over the printed panel. Work 8213.

A stage brace propped behind a flat before a painted village street, his nose was a bottle top all along. Work 8144.

A kingfisher over a reed bed inside an oval vignette, letterpress in two flat inks, guillotine cut through the border rule, dot screen of about fifty lines. Work 8139.