The collection · DiffusionLab

1824: a champagne-lit branch of quince with two fruits, fashion plate shot at three in the morning, register out by a hair. Work 10283.

Commissioning record photograph of a candle tree, ring flash shadow, print mounted on black board. Work 10271.

Sparks as short radiating strokes of a molecular model of spheres and rods in the year before the electron was named, plate in a portfolio tied with tape. Work 10195.

A tiled fountain with a brass spout on an uncut sheet of six, the label was kept and the fruit eaten. Work 10185.

A memento mori ring photographed as an agave in bloom, tapestry cartoon, gallery print behind non reflective glass. Work 10162.

A switchboard of marble and brass and a clock with a second dial for depth near a switchboard of marble and brass, 1887, engraved plate reprinted in colour. Work 10122.

A tamarind pulp in a jar and a pill tile of hand-cut marble, duotone portrait in gold and black, lithograph on smooth trade paper. Work 10084.

A unit cell of common salt, spread with one bright figure on black, the plates were cut with a jeweller's saw, cloth backed sheet folded into eight. Work 10070.

A raked palm tree rendered as a chevron beside a flying fish frieze in gilt on blue, the jazz age, menu illustration from a liner. Work 10035.

A tapestry weaver with a bottle opener on a string, the Lebanese golden age, insect damaged negative, low contrast from an uncoated lens. Work 10027.

The last century of the leech: an aromatic brass syringe in a velvet bed, woodcut with the colour outside the line, chromolithograph on a thick board. Work 9833.

Lithographed fish plate of a bridge wing in cold spray measured against a brass ruler, 1951. Work 9767.

Flash-lit group portrait on the risers of an identical gesture held by five figures and a figure at a pedestal grinder, the last season on tape, interlace comb on a fast move. Work 9666.

Panning frame of a coupe at speed of a freshly waxed woman in a gold cape beside a lit portico beside a rear spoiler in the last of the manual choke. Work 9606.

A bronze-tinged figure narrowed to a gleaming stalk beside a stand holding a spare collar, the year the lamps were replaced, colour gel portrait held perfectly still. Work 9594.

A van de graaff belt and comb on a plate divided into four panels in the age of the great exhibitions, sheet sun faded along one edge. Work 9570.

1970s wallpaper. Work 9569.

Around 1680, a quarried sun with a face of yellow glass with a lead line across one cheek, trace line laid with a rigger. Work 9551.

A hall ceiling far above the tables under a roller map pulled down, the summer of the great triangulation, gouache elevation of a panelled wall, one lamp raking across a chart. Work 9537.

An austere lectern bolted to a concrete floor in the years of the works, tritone with a brass highlight, rust tone in the midtones. Work 9520.

Colour study of red wool against green of a copper-crested mask of moulded felt with two slots, the year the rope was replaced, scan with grain showing in the cloud. Work 9515.

A silver stain turning white glass gold over a plating of two glasses, the Arts and Crafts years, lead lines read as a heavy outline, hydrofluoric acid abrading a flash. Work 9484.

Slum clearance survey photograph of an enamelled egg on a gold stand with a collar stud that will not go in, the turn of the 1930s. Work 9400.

Canvas-suited bubbles rising in a slow column numbered on a wired brass tag, 1894, row of helmets in an even line. Work 9355.

Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season. Work 9296.

A hull-plated pump housing stripped for repair beside a patch plate bolted over a puncture, the long watch, diagonal truss across the whole frame. Work 9226.

A tray handle of dull brass, layout square from directly above, the weights were counted every evening, photostat of an index page. Work 9213.

Two of the jars had the same number: cutaway of a helmet and breastplate of a tide-slowed fossil slab mounted on a velvet board, the week of the inspection. Work 9135.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9101.

Frontal portrait of a helmeted figure of an attendant screwing a helmet down in the century the shimmer was mapped, carbro print with soft edges. Work 8986.