The vintage era of AI art, and its electric sheep.
The collection
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A crate-nailed plasticine maquette on a modelling stand, eighteen months of animation, wire removal done badly in the optical, tape dub with a soft picture.Work 10018.Banner print of eight repeats of a door key in nine flat squares across a proof with a cell missing, squeegee pulled unevenly down the left, screen clog leaving a pale patch.Work 9705.A column of walkers with bells tied to the wrist, a season with no feast in it, procession treated as a single object, print with a cool cast in the shadows.Work 9193.A rail-worn Australian cattle dog in the Achaemenid years, Polaroid 779, late golden light.Work 8935.An aproned dog at the edge of the water beside a pool ladder, the last week of August, piece to camera by a spokesman.Work 6278.Seaside amusements handbill of a unidentified flask of tea being poured out, the late 1980s, Boots processing envelope.Work 6241.A dust devil crossing a field, wet plate collodion, cold fluorescent, mission control glow.Work 5014.A well-loved knitting circle trailing ribbons, film leader countdown, ringlight from Saturn.Work 3987.A concrete deposed greyhound rounding the bend, white ground lekythos, love from the whole street, steam.Work 2141.Dog show photograph of a thicket during Carnival, fog layer.Work 1513.A ballet dancer tying her ribbons made of player piano, sputtering, Brett Whiteley canvas, starburst streetlights.Work 1499.Miniature dog park diorama macro photography, ambient, atmospheric, perfect composition, hyperrealistic.Work 352.