The collection · DiffusionLab

A manufactured subject walking a marked corridor at the end of a white corridor, the era of the numbered face, carriage livery illustration. Work 10282.

A concrete stair tower and a deep overhang shading a verandah, large format survey photograph, Portra 160 negative. Work 10270.

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A Shanghai ballroom with a sprung floor in a bus station forecourt, trawl rigging diagram, varnished poster stock. Work 10161.

A stall built into a service alcove beside a conduit breathing steam, the long tenancy of the warm tunnels. Work 10106.

A steamer trunk with brass corners and a ballroom stair with a nickel handrail above a black lacquer bar, the winter of 1933, poster in Bifur capitals. Work 10083.

Complementary clash of magenta and cyan of a suited traveller with nothing behind but colour in the age of the bright corridor, gloss print with the pink left raw. Work 10057.

A suited figure silhouetted in a bright hatch inside a berth the width of a body in the white decade, gloss print on heavy paper. Work 9972.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

A mural of stylised figures on a lobby wall beside a floor polisher left mid hall in the years of the workers' club, gravure plate on coated stock. Work 9834.

Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor. Work 9801.

A silver polished on a baize covered table in the style of a row of five porters facing the lens across a lobby far too large for one guest, the season before the survey. Work 9784.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

One point perspective down a colonnade of a rock-cut figure alone on a vast concrete stair, the far end of the first expansion, drum scan off a large transparency. Work 9613.

The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted. Work 9580.

A carpet runner centred down a steel deck, 1875, side light raking a wall of rivets, process colour from three plates. Work 9541.

A hall ceiling far above the tables under a roller map pulled down, the summer of the great triangulation, gouache elevation of a panelled wall, one lamp raking across a chart. Work 9537.

A cable car summit station in the lobby by the jukebox in the spring of 1954, D-76 at 1 to 1. Work 9532.

A stair rising out of the water to a door beneath a coffered ceiling reflected whole in the long wet age, photogravure with a deep vault black. Work 9442.

A records office with wall-high files in a lit vestibule for gowning in the era of the issued childhood, blind shadow across a steel table, hard edged shadow on a tiled floor. Work 9436.

Corridor lamp every twenty paces at a numbered hatch in a plinth in the second programme, still frame from a slow tracking shot, cross processed to a teal shadow. Work 9429.

Deep focus lobby with one small figure of a funicular carriage at a lower station, grain in the shadow under a stair, Ektachrome gone warm under lobby lamps. Work 9424.

A wainscot painted a faded oxblood, 1828, symmetrical map room interior, wood engraved figure with a caption. Work 9395.

New Year 1972, a coal hole cover in a doorway with a slatted mat, Kodachrome in a paper mount, glossy print with a white border. Work 9389.

A brass turnstile at a hall entrance round a mahogany column of brass rings in 1824, frontal cabinet elevation, silver gelatin print on matt paper. Work 9331.

A personnel queue on the mezzanine made of medical bay on the eightieth floor over the traffic lanes, the season of the compulsory transfer, architectural camera with shift movement. Work 9231.

A brass microscope on a mahogany plinth through an open bulkhead door in the year the lamps were fitted, hand coloured engraving with gum arabic. Work 9212.

A window wall of panes in matched frames and a pair of sconces either side of a door, figure backlit in a doorway of light, lantern slide bound in tape. Work 9205.