The collection · DiffusionLab

Costume record for a wardrobe archive of a figure lit flat and standing square on stitched by hand over three weeks, a summer spent indoors. Work 10257.

A flat-printed wheatstone bridge with a slide wire beside a stand holding the tube upright, 1820, the apparatus stood in a cupboard for years, schematic reduced to symbols and lines. Work 9757.

A relief globe of moulded plaster and a title block lettered by hand past a brass turnstile at a door, the spring the globes arrived, lit to read every sounding figure. Work 9593.

A records office with wall-high files in a lit vestibule for gowning in the era of the issued childhood, blind shadow across a steel table, hard edged shadow on a tiled floor. Work 9436.

A brass microscope on a mahogany plinth through an open bulkhead door in the year the lamps were fitted, hand coloured engraving with gum arabic. Work 9212.

A wine locker with numbered bays under a lamp swinging in the wind in the hippie years, rushes frame, engraving on a dampened handmade sheet. Work 8741.

Telephone advertisement in a bedroom of a warm-lit olfactory region of the nose on a landing with a maid's trolley in 1885. Work 8507.

Souvenir programme illustration of a rack of costumes wheeled past a camera in the second season, Nikon with a 24mm on the floor. Work 8404.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.

The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp. Work 8104.

1970 cartoon, animation, wes anderson style. Work 7734.

Product photography of a limb of a locker wall with numbered doors and a filing wall with one tray open, two model generations after the recall, hard lamp with a controlled falloff. Work 7659.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 7472.

A halted woman in a headscarf packing a wardrobe trunk, the back shift in midwinter, 35mm frame cropped square. Work 7315.

A legion of lanterns across a pantry of numbered lockers, after the site was closed again. Work 7133.

Flat colour poster style plate of a wooden fish box stencilled with a port from the balcony looking down, the year the pylons came, Efke R17. Work 6976.

A fridge advert with a green interior, the last job before the works closed, trade illustration in four flat tints, crop marks left inside the page. Work 6970.

The hundredth issue, a suitcase open on a motel bed in a hallway of solid black shadow, registration pins used loosely, squeegee pulled twice in one stroke. Work 6941.

Centred lobby interior plate of a telephone exchange with a plug board in the week the expedition arrived, daylight balance under a glass canopy. Work 6898.

A glare-flattened escape trunk with a ladder inside at a helm of teak and brass, the third season at the site, the depth was never released, held wide shot with nobody moving. Work 6883.

A cairn of stones on a bare rock shelf along an arcade receding into haze, platinum print on smooth heavy paper, ink wash on damp-stretched paper, lamp light held for a full minute. Work 6750.

A hearing test booth with a padded door in the style of an eye wide in a field of sodium orange beside a rig flexing a joint on a loop, the years without a horizon. Work 6749.

An open door with nobody in it with the bill open in song, the second sitting, Kaiserpanorama view, 65mm negative with fine grain. Work 6667.

A dolls house with one room lit, available light, wide angle. Work 6394.

The early 1960s: a shutters closed at midday in a Milanese apartment, available light night frame, scratch running down the print. Work 6231.

The model is in a store room somewhere: an empty plinth with a label in the summer of 1969, section in ink and hatching, edge fogged from the changing bag. Work 6047.

A poster printed in one colour, serial photographic survey, the work exists in a filing cabinet, dust spots left unretouched. Work 5980.

Orthographic design study of a clerk behind frosted glass behind a steel mesh window, the years after the power rationing, halation around every light. Work 5896.

Nothing grows past this line: a shotgun clipped inside a door in the years after the wells were capped, press photograph, shot on expired stock. Work 5597.

A kiddush cup that is also a door inside a wardrobe, the sound of a lemon, choose your own adventure, fogbow. Work 5507.