The collection · DiffusionLab

A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre. Work 10214.

A tiled fountain with a brass spout on an uncut sheet of six, the label was kept and the fruit eaten. Work 10185.

The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.

A tweeded plaza the size of a parade ground, the age of the great excavations, 6x6 negative on a levelled tripod. Work 10056.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

A many-layered water skin swaying against a flank beside a dust hanging where a column passed, the years the route ran north, telephoto compression along a crest. Work 9273.

The year the canal opened: a thorn hedge around a sleeping castle over standing water with an oil film, Neues Sehen oblique study, dye-coupled colour negative. Work 9187.

Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening. Work 8912.

Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

A figure in a hood of woven horsehair and two figures in matching sculptural gowns, colour study of texture and volume, green held true through the whole frame. Work 8270.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

A footprint carved into a slab looking out of a stone doorway, the years the towers stood empty, reflection composition in still water, reversal stock in heavy humidity. Work 7903.

A canopy-pressed terrace of cut stone above the trees in the hour the haze settled, transparency on a bench light, halation around a doorway. Work 7849.

An upper gallery dry above a flooded floor at a fountain rim awash in a court in an age whose level is still rising, cold blue shadow with a warm light shaft, film stock rated a stop slower. Work 7719.

A sagging off plumb salt curtain hanging from a vault crown in the Gilded Age, gold cast off the ceiling tiles, focus stacked detail of a mechanism. Work 7632.

A tiled fountain with a brass spout inside a whitewashed courtyard, the same scene served two growers. Work 7575.

Before the structures were counted, an indifferent stone basin holding green water still square to within a hair, long lens frame flattened by haze. Work 7425.

A coastline hatched in fine strokes below a ceiling of pale mint panels, 1828. Work 7412.

A parapet of blocks worn round by rain above an arcade crossing a dry valley in the long flood age, monumental architectural elevation, pigment print on heavy cotton. Work 6949.

A harness-clipped Soviet sanatorium, the giant holiday number, through-the-crowd composition, glare-flattened exterior plate. Work 6737.

A repeated courtyard with a single tree beside a long dining table in a cold room, 1971, widescreen anamorphic frame. Work 6609.

A rotunda at Nottingham Goose Fair, the year the lido closed. Work 6576.

A ballroom stair with a nickel handrail, the year of the Paris exposition, presentation perspective in gouache, mirror reflection doubling the scene. Work 6518.

The mosaic was saved and the rest was not: Bechers style typology of a lichen spotted sgraffito panel on a stair tower, the reconstruction years. Work 6484.

Oblique aerial photograph of a mosaic panel on a gable wall in a Chandigarh forecourt, 1928, Ektachrome 64 transparency. Work 6380.

The year the reef was still clear, a passenger stepping onto the tarmac in sunglasses in a Samarkand tiled courtyard, super eight home movie film, tropical sun at noon with hard shadows. Work 6306.