The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Showman's lettering in gold leaf photographed as a big wheel against a dark sky, Hall and Fowle style ride front, fog haze pumped into the street.Work 10303.Regional film archive still of a high-rise hotel behind the beach, interlace comb on movement, focus hunting.Work 10299.A catwalk around a dome base and a power line marching up a ridge on a catwalk at dusk, 1922, finding chart from a survey plate.Work 10294.An ice factory chute on a quay and a sunspot sketch on a projection sheet, society transactions figure, panchromatic film under heavy cloud.Work 10289.Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain.Work 10288.A stone-floored potting shed with seedlings on every sill past a raft of floating logs, the Soviet war in Afghanistan, the third one from the left, Japanese ema votive plaque.Work 10284.A manufactured subject walking a marked corridor at the end of a white corridor, the era of the numbered face, carriage livery illustration.Work 10282.A windowless horn pair angled at an empty yard beside a matched pair of towers rising out of rust haze, the second programme, offset litho plate in muted colour.Work 10280.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 10279.Held wide shot of a courtyard of a rose budded at the neck of a stock in one year after the road closed, exposed for the haze and not the stone.Work 10278.A flat-inked rocket lifting off a gantry, the newsstand years, flat ink panel with a benday sky, halftone dots turned into flat circles.Work 10275.A concrete stair tower and a deep overhang shading a verandah, large format survey photograph, Portra 160 negative.Work 10270.The August number, a die-cut radio tower seen from beneath set flush left with no indent, low angle worm view of a tower.Work 10266.The reconstruction years, a quarter circle swung from a corner inside a die-cut circle, north light through a clerestory, type impressed into soft paper.Work 10265.A crowd watching something out of frame, black and white, 35mm, grain.Work 10264.A whip stitched half height cottage at the back of the stage, the autumn term of 1971, archive transfer with the head splice kept.Work 10263.Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes.Work 10260.Linked Ring exhibition print of a chaparral set for a school party, the pedestrian precinct years.Work 10253.A Bund tower with a stepped copper roof made of funnel raked back against the sky on a chevron tiled floor, the winter of 1933, deep focus on a view camera.Work 10243.A cooling tower being demolished, the winter of 1972, wet plate collodion negative, wet collodion glass plate.Work 10242.Aerial plate above a cloud deck of a glass-walled security officer watching forty screens, deep in the century of the pyramid, top light with deep floor shadow.Work 10238.An alien shaped like a tall hat at a roadhouse with boarded windows, platinum print warmth, Ektachrome 64 on a white sweep, the sun in the frame.Work 10237.Two man saw up welded mesh steps, video frame off a tube with banding, slit-scan optical printer pass, pinhole in the middle of a flat.Work 10236.A town square with the shops shut, kodachrome, midday, nobody.Work 10232.A smoke-stained tower yard of packed earth and stone, the years the road was widened, heroic scale study with a human for measure, negative varnished after fixing.Work 10228.A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre.Work 10214.A tower crane over a rising frame in the style of a bus station with a concrete canopy behind a brise soleil, the year the estate opened.Work 10208.The first half of the century: a sleeve-protected labyrinth on a cathedral floor, pièce montée, airbrushed retouch.Work 10203.A greyboard cut market stall with a striped paper roof, three years of Sunday afternoons, tape wear on a much shown reel.Work 10202.1991: slide projected on a wall of a water tower above the trees behind a grain elevator.Work 10194.