The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A latex cast creature eye painted on a bead with a tie-down bolt through one foot, the year the sequel was shot, matte line showing at a horizon.Work 10198.A crocodile carrying hatchlings in its jaws, suzani, she had two books going at once, pen and ink on heavy cartridge paper.Work 10130.Two of these were spoiled: a gouge in the Songhai years, Soviet agitprop poster, photogravure.Work 10005.An anchor crossed with a rope on a label lifting at one corner, 1798, thick outline with no shading, embossed brand word in the paper.Work 9977.An evening after the walk ended: an iron-grey figure wearing a belt of brass bells, wide plate of a field and a thin file, transparency viewed on a light box.Work 9940.Muted pastels in a cold interior of a German nutcracker soldier in the Swiss Style years, K-14 processed Kodachrome.Work 9683.1852: engraving after a wax model of white corpuscles of five kinds beside a scale bar in millimetres.Work 9555.A sun-glared spindrifted bamboo wand with a black flag, the mid 1920s, appendix plate of instruments, carbon print in warm brown.Work 9334.Deadpan interior portrait of a brass-plated figure standing inside a ring of white tubes beside a corral rail in the third rotation season.Work 9296.Paste-up artwork of a dead leaf mantis carried across three sheets, the Hindi cinema golden age.Work 9136.A far-off woven girth band in three colours crossing without a word spoken, the age of woven girths and brass, silhouette study of a wound headcloth.Work 8739.A lifebelt release hook over a hatched section plane in 1881, print with a fold worn through to a slit.Work 8535.Blown-out reproduction of pasted paper of a photocopied flyer with a black border beside a scraper leaning on a pole, the year of the tear-off strip, ink run through by a night of rain.Work 8302.Figures elongated to fill a lancet of a soldered joint bright on old lead with the modeller's hand just out of shot, late 12th century.Work 8247.Tinted ground with lights scraped out of a larynx from behind with the cartilages and pleural reflections on the chest wall, late Georgian, microfilm frame enlarged on paper.Work 8177.1970 cartoon, animation, film still, distressed.Work 8134.A tide-slowed sponge hook on a short pole, 1888, orthochromatic plate through green water.Work 8113.The era of balsa and enamel, a tea leaf soiled scalpel with a fresh blade with glue gone shiny along one joint, documentary look at a hobby table.Work 7981.The spare lamps lived in a wooden box: lecture tour poster image of a silver-plated intercom, the Ethiopian Derg years.Work 7837.A taotie, study of one silhouette lit from behind, the guard blew the whistle and laughed, film pushed in the tank by guesswork.Work 7633.A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf.Work 7085.Sequence frame of a procession passing of a figure holding a triangle of thin steel and a yoke carved from a single beam, the third year of the same route, colour balanced to grey daylight.Work 6901.The Taisho years: a crane-haunted wrestler's handprint pressed on paper, pine needles cut as fine strokes, worm holes through the lower margin.Work 6874.A deadpan attendant in a moulded chest plate, the year nobody logged, slow push along an axis, cold-toned chromogenic print.Work 6691.A chevroned bas relief of a winged messenger in the mid 1930s, deep focus on a view camera, coloured pencil on black paper.Work 6305.A regiment of nutcrackers and a German cuckoo clock at the Minnesota State Fair, the Polaroid years, chromoxylograph.Work 6159.Free range: an alphorn in a limestone cave, boroscope image.Work 5541.A sea green cable-knit platypus as a customs officer, Ethiopian manuscript, the saints are closed for lunch, buttery light.Work 5234.Movie poster of an postmodern women's fashion, John Bauer forest painting, oxyacetylene torch.Work 5182.A message from the management: a roman centurion in a farmhouse, Nebuta festival float.Work 5162.