The collection

All 1375 keywords
A matting-floored crewman in a beaded collar leaning out black against an enormous sun, the tail of the 1960s, telephoto compression of a formation. Work 10296.
1824: a champagne-lit branch of quince with two fruits, fashion plate shot at three in the morning, register out by a hair. Work 10283.
Costume record for a wardrobe archive of a figure lit flat and standing square on stitched by hand over three weeks, a summer spent indoors. Work 10257.
An assembly instruction sheet with a missing step, line art, numbered. Work 10174.
An evening after the walk ended: an iron-grey figure wearing a belt of brass bells, wide plate of a field and a thin file, transparency viewed on a light box. Work 9940.
A pod-shaped bodice laced at the back with waxed cord in a collar of glass tubes, a year told only by the dye lots, flat lit study against paper. Work 9917.
Polar expedition plate of a secretly pleased xiezhi at the curtain call in the Yuan dynasty. Work 9869.
A calico bodied bird of paradise headdress at the end of a long platform, the Counter-Reformation years, topographical collection print. Work 9809.
A bishop saint in a jewelled mitre and a broken quarry mended with a lead, hot ruby set against a cool blue, vitreous paint fired at 640 degrees. Work 9673.
Brick-red two ranks of ringers facing each other, two hours before noon, frame with the last figure half in it, negative with the notch code showing. Work 9641.
A mask with a face behind it that is also a mask among drifting hull fragments in the Gothic Revival years, smoke-filled stage underground, Agfa Ultra 100. Work 9596.
A butterfly in two shades of silk in the style of a two figures either side of a door among French knots and small leaves, 1791. Work 9583.
A figure in a shawl of beetle green thread and a painted arrow faded to a ghost beneath a sky bleached to bone white, late in a season of still air, long lens compression across bare ground. Work 9497.
Colour negative work pushed for density of a procession of figures in stacked collars with a fish still on the spear, the last week of a wet winter. Work 9479.
Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands. Work 9469.
Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9392.
A double-ranked hood lined with felt to deaden sound beside a sash woven with copper thread, a cold morning with no wind, close study of hands on cold metal. Work 9372.
Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9230.
The spring of 1957, a die-cut lighting shop in fingerless lace gloves, cyclorama painting. Work 9199.
A column of walkers with bells tied to the wrist, a season with no feast in it, procession treated as a single object, print with a cool cast in the shadows. Work 9193.
A dye-stained kanzashi hairpin with ink under the fingernails, the Iron Curtain years, fisheries inspection photograph. Work 9150.
Interiors feature in full colour of a woman in a beaded gown adjusting one strap in the season at the hotel, cover proof with the title over gilt. Work 9086.
A dwarfed steward carrying a sealed white tumbler, the season of the standing watch, spotless colour internegative. Work 8973.
An exploded diagram of a household object, technical illustration, line art. Work 8970.
A vetehinen and a hunt meet outside a country inn in the last bay before the dark, the Benin kingdom years, kalamkari panel. Work 8932.
An embossed man in a wide brimmed hat with a plume, the year the horn line grew, duotone portrait in gold and black, scanned sleeve with ink texture. Work 8920.
X-ray plate of an excavated headcloth wound twice and tucked, the Little Ice Age, glass plate negative on thin glass. Work 8802.
An evenly spaced guard in a pale mint tunic with brass buttons under a shaft of coloured dust, the years of the works, dust filled shaft of light study. Work 8799.
She closed the place down: mirror etched with a dancer of a roaring host in a white dinner jacket working the room, the year the floor was rebuilt. Work 8792.
A renaissance portrait of a bulldog as a duke, oil on canvas, heavy drapery. Work 8791.