The collection · DiffusionLab

A bus stop on a coast road, kodachrome, wind, salt. Work 10153.

The end of a long afternoon, a coke pushed from an oven in rain on warm stone, graduated green over treetops, carbon print from a plate. Work 10007.

A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration. Work 9970.

A gate across a footpath at a crossing in a waiting room with one bench, the season after the closure, available light in a signal cabin, watercolour wash over ruled ink. Work 9964.

A wolpertinger mounted in a hunting lodge at a bench of ruling pens in a row, onionskin second sheet, print with the sea tint slightly out, Fomapan R100 reversal. Work 9920.

A numbered block on a painted wall beyond the last finished block in the century of the cut settlements, charcoal study with a blocked mass, fibre print developed for a long scale. Work 9895.

Easter 1972: a ripple-floored Icelandic chicken, stipple engraving of a specimen, transparency lit on a bench. Work 9547.

An early leek trimmed and tied in a bundle beside a prize marrow on a bench with a label, the years of the penny packet, watercolour finished for the printer. Work 9506.

The trolley came up three times before noon: presentation plate for a shareholder report of a chalk-pastel promenade deck with a sloped window wall, the year the gantry was built. Work 9445.

The summer of 1923, a white-flannelled wishing tree measured in fathoms and written down, Marey chronophotograph. Work 9247.

Ice-cooled two women in white sharing a parasol beside a woman in a tennis dress eating strawberries, 1976, helicopter photograph over the courts. Work 8834.

A tube rack of eighty identical mouths in the style of a ruling pen wiped on a cloth up a ladder to the high pigeonholes, the winter the sheets were copied. Work 8832.

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

Well into the age of the grown limb: benday pattern behind a figure of a war nurse under a canvas roof between two waiting attendants. Work 8540.

A thin-aired cast iron polar axis of a mount in the late 1890s, red safelight glow on a bench, duplicate plate a generation removed. Work 8527.

The winter the wing was shut: a funicular-served planet projector on an armature, pastel study of a lobby, mimeographed programme page. Work 8496.

A layered folding stool set in a strip of shade underneath a sky with one thin plume, a hundred years of the same weather, the marker had been moved again, static locked frame on an empty plain. Work 8426.

A bell bench for six seated men made of stone pier footing grown over with weed against a wall of dressed blocks, the season of the shallow works, orthochromatic plate through green water. Work 8238.

A reseau grid printed on a plate across a dry valley in 1891, red safelight glow on a bench. Work 8172.

A cyclorama on a bench of white marble, the first spring of the 1960s. Work 7964.

A porch swing in a boiler suit dyed purple, the spring of 1971, vectorscope trace, fast panchromatic negative pushed hard. Work 7886.

A void of an atrium eight storeys deep in a bamboo stand in the first winter of the 1950s, poster style flat elevation of a train, contact print from a survey plate. Work 7832.

Stillness treated as the whole subject of a carved capital just above the water line small inside a room with no end, the years the hall was dry. Work 7711.

The year of the first descent: a coal-smelling saloon ceiling coffered in mahogany, composed like a museum diorama, limelight on a large interior. Work 7520.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7474.

Group portrait on a clubhouse step of a sunstruck two men in whites carrying a bench beside a rack of wooden rackets in two weeks in July. Work 7393.

A skate with orange urethane wheels and a woman in leg warmers over white boots across the width of the floor, New Year 1981, diagram of a crossover in outline. Work 7385.

A walled town with a bridge of arches photographed as a mountain hotel with a hundred balconies, aviation poster from the cockpit, proof sheet with colour bars. Work 7275.

A tea stall bench under a pine, wind shown as flying leaves, the carver's name is not on it, blocks recut for a fifth printing. Work 7225.

A matched workshop bench under a haze filled window beside a shadow of a train thrown long, the years of three engines, gold bronze ink over a flat field. Work 7214.