The vintage era of AI art, and its electric sheep.
The collection
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A rod engine on a temporary logging grade photographed as a springboard notch in a standing stump, landscape painting of standing timber, exposure lost in the shadows.Work 9885.A crossbill working at a pine cone above a distant estuary, the era of the licensed face.Work 9884.The time of the nine towers: a watch bell rope hanging through a hole in the lee of a snow fence of slabs, haze thick enough to swallow the far towers, egg tempera on gessoed board.Work 9857.The hedge grew back: humid air photography of a storage heated coronet, the Klondike years.Work 9781.A plain of moss over old basalt under a very wide top margin, rosemaling panel, edge torn against a metal rule.Work 9122.Figure centred in a vast frame of a smoke sitting in three flat layers and a smoke filling a clearing to head height, the years nobody kept count, available light under a canopy.Work 7564.A tea stall bench under a pine, wind shown as flying leaves, the carver's name is not on it, blocks recut for a fifth printing.Work 7225.Perspective set on the path's centre line of an avenue of trunks receding into gold haze with one ear sagging under the lamp, the third age of the great trunks.Work 7035.The autumn of 1950: a hand me down florist wrapping a bouquet, tree preservation order photograph, brown stain from poor washing.Work 6464.Weather observer's station photograph of a Douglas fir in the Pinochet years, Lomo LC-A vignette.Work 6420.A first snow on a pine, Jacob Riis flash photograph, half-demolished, instant film border.Work 4534.A sugar glass bristlecone pine after the end of the world, Pueblo storyteller figure, parallax scroll, mainframe panel lights.Work 3689.A giant sequoia, PET scan, breton, shot from a skyscraper.Work 3082.A mild curse: a hemlock at sunrise at a truck stop, Coptic manuscript.Work 3074.A cactus in a snowstorm made of wave tank, eerie, 1980s music video, torn corner.Work 2756.A pine barren, estate agent's watercolour, elderly, blacklight.Work 1728.