The collection · DiffusionLab

Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 10279.

Air to air frame at low level of a mist-severed lion of stone worn to a shape at the crown of a humped bridge in the years after the arch fell. Work 10267.

Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes. Work 10260.

1761, a lump of myrrh in a paper twist above a wake of ruled foam, gouache matt on a dark ground, photogravure with a soft aquatint grain. Work 10218.

A tiled fountain with a brass spout on an uncut sheet of six, the label was kept and the fruit eaten. Work 10185.

A far wall lost in interior mist made of line of figures facing each other beside a silt shelf against a base, the first crossing by boat, exposed for the shadow under the vault. Work 10181.

Atmospheric depth in five bands of a stencilled numeral two metres tall in the shade of an undercroft, long after the architects left, pigment print on a baryta surface. Work 10013.

A cloth tied around a stone pillar made of incense smoke standing in a doorway past an inscription filled with moss, the middle of the century, Agfachrome warm on tanned skin. Work 9975.

A mountain pass with a rope bridge made of rope bridge over a gorge of mist within a fan-shaped frame, the Bunsei years, printing from worn blocks. Work 9968.

A crocketed gable above a saint in the hall of a red brick villa, the light is wrong after noon. Work 9829.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.

A covered hopper car under a loading spout photographed as a spectrohelioscope at a tower slit, lithographed plate of a comet, acetate negative with vinegar warp. Work 9626.

One point perspective down a colonnade of a rock-cut figure alone on a vast concrete stair, the far end of the first expansion, drum scan off a large transparency. Work 9613.

The month of the flower offerings: location cinematography in ruins of a path through forest to a stone door in green haze along a colonnade. Work 9597.

A poorly lit lighthouse on stilts beneath a fly delivery, the year the clocks stopped, the tide came in over the towels, granulation goldwork. Work 9578.

A light-barred cut path with towers at the end beside a cicada noise in a stone corridor, a day the stone stayed cool, high angle over a complex. Work 9535.

A many-layered water skin swaying against a flank beside a dust hanging where a column passed, the years the route ran north, telephoto compression along a crest. Work 9273.

A two structures set in exact line past a line of broken pillars, large format chrome in bright sun, 65mm negative with a clean gate, oil on linen with a thin ground. Work 9189.

A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw. Work 9131.

The old survey of the way, a sand-drifted bridge wide enough for two colossal figures carved before the road was paved, section through a bridge pier. Work 9083.

A surveyed lighthouse with its arc of visibility under a title in engraved script, the age of the chart sellers, the surveyor never reached the far bank, printed from a plate reworked twice. Work 8965.

A roof beams burned through and fallen in near a votive niche of small figures, a season when no courier came. Work 8943.

Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper. Work 8892.

A flood-marked chain of posts marking a road edge beside gate leaves bound in iron, an age when the road was still kept, the arch fell in a season with no flood, tonal study in ochre bone and slate. Work 8795.

The Algerian War years: a tugboat nudging a liner within a turning ring station, flat shaded polygon render, bulb flash on a dark terrace. Work 8793.

An afternoon that did not end, a spout carved as an animal head beside a beam nodding in a stone room, grain sitting in the shade, carbon print in a cool pigment. Work 8760.

Steel arch supports in a main road in a crush of men leaving the cage, the seam ran out in March. Work 8747.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.