The collection · DiffusionLab

A seamless black suitcase held shut with a belt, the Silla years, appropriation art rephotograph, duotone in grey and blue. Work 10072.

Hand coloured natural history plate of air intake grilles in a concrete flank in the years of the sealed windows, body colour over a pencil line. Work 9642.

An austere lectern bolted to a concrete floor in the years of the works, tritone with a brass highlight, rust tone in the midtones. Work 9520.

Courtyard sunk two floors into rock among unfinished floor plates, split-toned print with cool shadows, 5x7 negative with a rising front, lith print with a hard shoulder. Work 9378.

Faded oxblood accent on pale stone of a teal-shadowed rubber stamp and pad on bare stone, the first schedule, fine grain film at a small aperture. Work 9237.

Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9045.

A rectilinear deep-set facade of board-marked concrete, two hundred years after the pour, section through a terraced block, drum scan off a large transparency. Work 9035.

A chimney no higher than a boot inside a box too small to stand in, the short seasons, gradient profile figure with a scale bar, dye transfer with a soft palette. Work 9016.

A blast wall angled across an approach atop a parapet above a long drop in before the upper terraces were cut, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 8914.

A mass-concrete half-poured stair flight climbing a sheer rock face, long after the architects left, warm stone against cool shadow, bromide print with the detail held. Work 8880.

A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 8712.

The numeral 17 appears nowhere in the text: an electricity meter with a spinning disc in seventeen years after the grant, stipple shading on a curved surface, line cut printed slightly out of register. Work 8704.

Render with one hard shadow edge of a board marks left in a poured wall in after the surface was given up, stopped down for a deep focus field. Work 8578.

Wide frame with the slab dead centre of a figure seated on a folding chair in the dust and a figure standing in the slab's shadow, the year the slab was measured. Work 8479.

Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it. Work 8036.

A resolute wind slab cut into blocks at seventy degrees north, 1903, museum exhibition enlargement. Work 7955.

Landscape with a thin line of figures of a chalk-white figure with cymbals tied to the knees past a stone trough full of rain in the week the fog stayed down. Work 7920.

A trench with walls polished smooth, after the fourth attempt failed, three quarter view on an upright mass, edge softness left in the corners. Work 7904.

A herd of small dark cattle on a green shelf beneath a relief of a coiled serpent, single figure held small against stone, film stock pushed one stop. Work 7559.

A stair of stone steps beside a rail, the summer schedule, off season photograph of a closed station, anamorphic frame with muted colour. Work 7487.

The week the plant stood empty, a synthesiser built into a steel case in front of rolling scan lines, lith print with crushed midtones, dust specked enlargement. Work 6824.

Survey frame with the horizon level of a stair landing with one bulb burning and a tower of raw concrete on a rock spur, the last of the great pours, acrylic on a concrete-toned ground. Work 6727.

A three figures at a corner for scale at the edge of a squared hole, the last of the deep soundings, survey photograph with a scale bar, frame printed full to the rebate. Work 6684.

The year before demolition, a board marked concrete wall along an access deck, dust and scratches from the archive, rise on the front standard. Work 6565.

A bush hammered concrete pier, serial typology of structures, the lifts have been out for months, low winter sun raking a facade. Work 6324.

Oblique aerial photograph of a bush hammered concrete pier, tungsten balanced interior, bounced light off a white soffit. Work 6240.

A steps with a rusting handrail beside a chain-link gate, the film sat in the camera a year. Work 6216.

An openly sulking patterned carpeted storm drain outfall, Easter 1968, gelatin silver print, available darkness. Work 6199.

A desert proving ground with a bunker on a launch pad at dawn, the pavilion lasted eighteen months. Work 5864.

Fore-edge painting of a pumice stone in autumn in a sculpture park, key light only. Work 5591.