The collection · DiffusionLab

The age of hard shadow, a sleeping station with a curtain past a pod field on a slow drift, platinum print with a silver highlight, film exposed for the sunlit hull. Work 8334.

Midwinter on warm ground: a procession of one across black ground through a bank of low vapour, still frame with nothing moving but steam, negative that kept its green in the scan. Work 8329.

Combat photographer's frame of an ash strewn spectroheliograph, the World Cup summer of 1962, Kodak T-Max P3200. Work 8328.

Ski school notice in flat inks of a wooden stave church in deep snow and a coral island with a single palm, the late 1920s, magenta misregister by a hair. Work 8327.

A courtyard with haze standing in it and a colonnade with light between each column, hallucinatory temple treatment, veiling glare in a dark gallery. Work 8322.

A wristbanded light well dropping sixty floors, the years after the tower fires, panned exposure at a sixtieth. Work 8300.

A brass line running the length of a floor within a border of alternate light and dark, Kodamatic Trimprint, exposed for the highlights, NTSC video frame. Work 8299.

The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale. Work 8296.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 8295.

A felt-shod control car hung below the hull below a stencilled frame number, the year of the forty cabins, matte fabric against polished tube. Work 8289.

A swimming pool changing room, damp light, tiles, echo. Work 8285.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.

The years of the survey, a cicada noise in a stone corridor below a collapsed roof, haze held in the beam by a fan, arc lamp through a doorway. Work 8252.

An interviewed heart trace on a small green screen inside a tank hall on a night shift, the second series of the upgraded eye, sterile symmetry composition. Work 8244.

Flash lit macro of a specimen of an unadorned light canopy over a market floor on deck chocks in the rain in the slow decades. Work 8242.

A luminous edge-lit runner stopped mid-stride on a curved floor, the year the ring was closed, measured stillness in the frame, archival print with pure paper white. Work 8241.

A quietly absurd tea can warming on a tiny boiler dwarfed by the plain around it, the short seasons, timetable leaflet cover image. Work 8234.

Ultra-wide frame with no horizon of a figure dissolved at the edges by glare in the age of the bright corridor, clean gradient held on a big negative. Work 8229.

An inflatable dome and an elevator being pulled down by cable under fluorescent tube lighting, the second half of the century, moiré patterned halftone. Work 8228.

A mesh diamond pattern in hard light among cage pallets of offcuts, blueprint of a yard boundary, colour transparency gone orange, daylight stock gone amber. Work 8227.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8217.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

A nurikabe and a taiko ensemble, embossed Victorian scrap relief, cold-toned print in a blue grey. Work 8214.

A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint. Work 8207.

A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.

Test footage of a walk cycle of a lamp warmed plasticine doctor with a wire stethoscope, a wet Tuesday in 1966, lab scratch across a bright area. Work 8199.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 8196.

The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge. Work 8192.

The last summer before the road, a pink-marbled kitchen pass hung with copper pans stencilled with a stores number, haze filled lobby held perfectly level. Work 8190.