The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A fireman in a brass helmet, numbered series label art, the engraver worked from a dried one, a hairline white gap between flats.Work 7078.An acrid flake of white arsenic in a phial hung from a beam to dry, before the pharmacopoeia was fixed, transfer printed lettering on tin glaze.Work 7074.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 7072.The pigment ate through the skin: egg tempera miniature with gold leaf of a scraped rubric in vermilion, late 15th century.Work 7068.Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain.Work 7060.Quirky 1960s claymation scenes, cinematic, monsters and heros.Work 7055.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 7047.Frontal cabinet elevation of an inventoried compass rose underfoot at dead centre over a bench of tools in matched pairs in the season before the great model arrived.Work 7018.The open outcry years: publicity still from a gambling film of a man in a dinner suit betting with a pen in hand at a table with the shoe in its box.Work 7016.Quirky 1970s claymation scenes, cinematic, 70s earth tones.Work 7009.A soot-flecked flicker-lit laundry strung above the row, some October a lifetime from now, painterly matte over a live plate, anamorphic 35mm with heavy halation.Work 7003.A brass sample tin with a numbered lid made of weighted belt of numbered lead blocks between two upright jars, 1860, pastel on sanded paper.Work 6999.Quirky 1960s claymation scenes, cinematic, monsters and heros.Work 6996.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 6993.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 6989.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 6986.Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy.Work 6985.A paid-off knife-scarred juror sweating in a hot courtroom, the summer of 1953, wash and gouache over graphite, offsetting from the facing page.Work 6952.A ring spinning frame with broken ends photographed as an oiler with a long spouted can, mill view on a lithographed share note, duotone black over warm red.Work 6945.Painted plate with a hard silhouette of a dead-level single column rising out of heat haze against a sky flattened by heat in the years the readings disagreed.Work 6940.A group at a long table under an awning and a player mid-smash above the net, fence detail figure in a catalogue, blueprint of a yard boundary.Work 6918.She cleared the desk in one call: marker illustration for a trade weekly of an overcaffeinated woman in a navy blazer counting on her fingers, March 1986.Work 6913.A half-shuttered gambling table under a hooded lamp dead centre of a windowless wall, the fourth decade of permanent night, two of the officers were not on duty, mixed flash and ambient exposure.Work 6906.A lemonade at the foot beside a worked name, the neon sign years, graphite and pastel presentation view, grain visible in the vault shadow.Work 6873.Isometric view of an apparatus of a cloche over a row of seedlings in 1797, pencilled caption under a small print.Work 6867.A punch bowl with a floating orange at a lecturer's rail in the Azuchi-Momoyama period, 16mm insert of a model town, grainy enlargement from a small frame.Work 6863.1899: a smoke-cured barked nets hanging over a rail, lighthouse list illustration, flashbulb on a night market floor.Work 6817.The winter of 1969: backlit silhouette against water of a pancake stuck to the ceiling among eleven identical chairs.Work 6789.A topped spar tree with the rigging on beside a pot of glue gone shiny in a year with no number on it, advertising still for a vermouth, retouched transparency on the chrome.Work 6769.An imperious seismograph needle scribbling wildly, the autumn of 1944, Kodacolor II with a flash cube.Work 6752.