The collection · DiffusionLab

A dead tree white against green held in a beam of green light, the fourth week upstream, hallucinatory colour treatment, spherical wide gauge lens. Work 6963.

A moss line just above the water mark along a stylobate step run under water, one column stands where none was built. Work 6939.

A blackcurrant bush in full leaf on a counter display box in 1779, print with the border trimmed off. Work 6921.

A camp of two under an enormous bole, austere composition with one vertical accent, the lap of the figure had been slept in, lithograph in four muted stones. Work 6916.

A gate latch off the edge of a monitor wedge in the summer of 1940, flatbed scan of a foxed leaf. Work 6911.

A swimming pool at the end of summer, kodachrome, empty, long shadows. Work 6872.

A shot male kingfisher on a bare willow twig beside the female in duller feather, 1854, two figures printed from one stone. Work 6870.

A blimp burning above a field amid bars of light on bare stone in the first schedule, ink bleeding into groundwood fibre. Work 6862.

A haze-banded grey-toned lead weight coated in tallow, 1902, frontal record of a cavern shore, gouache on a toned ground. Work 6860.

Land settlement brochure photograph of a speeder on the branch line, frame edge with sprocket marks, red filter darkening the sky to black. Work 6857.

Low camera among balsa terraces of a purple cauliflower reprinted without anybody looking at it, the years before the second exodus. Work 6849.

1907, a steam-hazed portable camp buildings on flat cars among stumps the height of a man, dime novel cover illustration. Work 6823.

The year the line was relaid, an ochre-canvassed gate of white bars across a path built to a fifteen inch gauge, haze lit interior exposure. Work 6801.

Pink gel on a key light of a water tank reflecting a whole tower swallowed by forest, the time of the second survey. Work 6799.

A laden mule string on a stone road, the age when the gates still shut, figure placed at a plinth base for scale, grain visible along the parapet edge. Work 6792.

A deer fence of split stakes in the style of a cut stair with a brass handrail pin near an inscription filled with moss, the first clearing. Work 6777.

A topped spar tree with the rigging on beside a pot of glue gone shiny in a year with no number on it, advertising still for a vermouth, retouched transparency on the chrome. Work 6769.

The trunks were counted and came out odd: record illustration of an ancient stand of a sap-streaked fallen giant bridging a shallow stream, the season the deer came close. Work 6767.

Forced perspective town in one frame of a duck pond of poured resin, grain visible in the painted sky, tripod exposure with a cable release. Work 6753.

The middle 1980s, a dock-edged live oak alone in a pasture nailed to a raw pine end, trade mark animal in flat colour. Work 6725.

He lost two fingers to a choker: pen and wash camp sketch of a sawdust-covered fire lookout above a smoke haze, the last big drive. Work 6721.

An overpasted shalwar as the demonstrator arranged it, a winter far down the next century, forest service inspection photograph. Work 6720.

Photolithograph from a wash original of a calibrated kilim, the autumn of 1969, flash negative with a blown centre. Work 6719.

Horizon hidden by the wood itself of a plinth with nothing left on it small under an unseen canopy, the last of the high crowns. Work 6717.

The sun took an hour to clear the trees: a landing skid shadow on wet sand in the first years of the 1970s, high angle over flooded ground, daylight stock at first light. Work 6688.

The second era of the watchers: single figure placed for the scale of a relief band running round a base past the last survey marker. Work 6685.

A smoke-hazed turn of logs coming in on the mainline beside a high climber topping a spar tree, 1918, fire lookout log illustration. Work 6677.

Tilt shift over a tower crown of a shower block lit by strip light against four hundred metres of glass, an autumn a hundred summers ahead. Work 6670.

A tower yard of packed earth and stone photographed as a wheeled ladder on a brass rail, inventory tableau on green baize, panoramic roll film on a rotating back. Work 6663.

A reduced diesel submarine alongside a couched animal, the Italian Renaissance, perspective corrected architectural plate. Work 6650.