The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A movie poster for a film with one location, minimal, bold type block.Work 7152.A tattoo of a motto in a made up alphabet, studio portrait, hard light.Work 7151.A bee on a foxglove from a train window in twelfth impression of 1935, lithographic tint stone over a key block, collotype plate on smooth stock.Work 7150.The winter of cheap copies, a toner-streaked correction fluid drying over a wrong word copied until the faces went black, halftone collapsed into black mud.Work 7149.A fossil shell face up in stone from a punt worked with one pole, ambrotype with a slate black ground, rising front to hold a vault upright, diazo copy in pale blue.Work 7148.Frame built on one long horizontal of an apple picker on a ladder in the year the pit baths opened, chart with a pinhole where dividers stood.Work 7147.Renaissance glass with enamel modelling of an opalescent glass landscape window and a labour of the month in a roundel, the Arts and Crafts years, sanguine iron red fired for flesh.Work 7146.Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7145.Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7144.Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7143.A dropout-scarred tape reused with the last band painted out beside a tape with a bar of type across the label, the summer of the double deck, document style frame of fifty tapes.Work 7142.We swept the bin out by hand: a grid road running out to the horizon in the first week of threshing, grading standards reference plate, glossy print with a white border.Work 7141.A half-visible line of stones running out of frame dwarfed by the plain it sits in, the last years of the overland crossing, measured elevation of a well head.Work 7140.A boot caked white to the ankle beyond the reach of the last track, acrylic on a white primed panel, pigment ink on bright cotton paper, offset lithograph in two flat inks.Work 7139.A dry watercourse with no bank left beyond the edge of the mapped route, silver gelatin print toned copper, negative with grit marks in the sky, archival pigment print on rag paper.Work 7138.A grass-caped hand-oiled carved post wound with vine, one long green afternoon, hand-coloured railway view print, two-colour litho print.Work 7137.Paste-up layout with type in position of a teak sideboard in the last of the crewed stations, diazo print.Work 7136.Measured section through an atrium of a quietly absurd sunlight bars crossing an empty concourse, the polished years, grain visible in the pale grey.Work 7135.A courier with a locked attache case, the Renaissance, Sears catalogue plate, emulsion lifted at a print corner.Work 7134.A legion of lanterns across a pantry of numbered lockers, after the site was closed again.Work 7133.Travel plate with the type left off of a rheostat wheel under an operator's hand in a demonstration room off the lobby, the quiet part of the year, mimeographed programme page.Work 7132.A rivet-studded weightless dock hand in a hard suit gone amber with dust, the closing years of the outward works, spotlit figure in a dark lattice, hand-held at a very wide aperture.Work 7131.A dining room of tables set alike beyond a terrace rail above pines, the spring the facade was repainted, pastel study of a lobby, photostat of a floor plan.Work 7130.A renaissance portrait of a crow with a signet ring, chiaroscuro.Work 7129.A wire armature showing through a knee made of clay coalman with a sack of grit on a rolled plasticine hill, the first colour series of 1969, gate weave rocking the whole frame.Work 7128.Flat elevation study of a stone tower of a weather-worn relay of horn calls down a valley on a goat path above a long drop in a time when the bells answered.Work 7127.An overscaled bell push labelled in enamel under a haze bank on an upper slope, the years of two carriages, the timetable had one service on it, staff group in matching tunics.Work 7126.Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 7125.Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 7124.The name on the label is wrong: shadow printed in the key colour only of a forced cactus dahlia at a show bench, 1918.Work 7123.