The collection · DiffusionLab

A paved floor seen through green water at a sounding line dropped into dark, the age when the figures stood clear, hatched shading with a single line weight, ink and wash on stiff white paper. Work 7122.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7114.

The long renovation: a skylit turnstile bank of five identical gates, volumetric skylight haze study, archive print with a filing number. Work 7096.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

The years the towers stood empty: a canopy pressing against a stone wall among fallen blocks, haze separated tower planes, neutral density in a hot courtyard. Work 7032.

A canvas-walled hole in the floe rimmed with slush behind a snow block wall, the winter of 1915, glass plate exposure in the cold. Work 7026.

A turquoise-lit traveller in a mirrored helmet full of colour beside a suited figure at the centre of a colour wash, the year of the long transit, held frame with only the light moving. Work 7021.

A shouting tape over a broken window pane in two weeks before the hall closed, photograph creased across a corner, print made in a bathroom darkroom. Work 7019.

Architectural photograph with a shift lens of a woman in a gold belt on a black lacquer table in winter 1983, grain enlarged from a small frame. Work 7015.

A Roman galea across a gorge from a second tower, the red plate printed low all run. Work 6995.

A fridge advert with a green interior, the last job before the works closed, trade illustration in four flat tints, crop marks left inside the page. Work 6970.

Deep in the century of the pyramid: pre-visualisation frame of a low sun mirrored down a canyon of towers under bunting of cut felt triangles. Work 6962.

A parapet of blocks worn round by rain above an arcade crossing a dry valley in the long flood age, monumental architectural elevation, pigment print on heavy cotton. Work 6949.

The hundredth issue, a suitcase open on a motel bed in a hallway of solid black shadow, registration pins used loosely, squeegee pulled twice in one stroke. Work 6941.

The belt took his arm in 1911: newsreel frame of a mill closure of a spindle-scarred knocker up going along a street, 1910. Work 6920.

A tape traded hand to hand up the spine of a taped case, biro lettering enlarged on a copier, home-dubbed ninety minute tape. Work 6919.

Two attendants carrying a rolled white mat and a figure descending a ladder of lit rungs behind a hatch of smoked glass, the second century of the passage, deep focus anamorphic frame. Work 6917.

A gate latch off the edge of a monitor wedge in the summer of 1940, flatbed scan of a foxed leaf. Work 6911.

A figure in boots moulded from pale beeswax on a mathematical grid in the late 1990s, archival print made for a wall. Work 6866.

A stood in a row observer with a magenta filter over the eyes, the era before the site was named, ceremonial stillness in the frame, colour separation with a cyan shadow bias. Work 6865.

Gouache poster illustration of a sweat-slicked doorman refusing nobody at four in the morning, the spring of 1980, lens flare across chrome trim. Work 6855.

The end of a long afternoon, a garland laid across a stone lap in an empty inner courtyard, wet gate dupe of a survey reel, archival positive with green shadow. Work 6815.

A movie poster for a film with one location, minimal, bold type block. Work 6804.

A flare-haloed traveller with light streaming from behind the head rimmed in the opposite colour, a century into the passage, complementary clash of magenta and cyan. Work 6795.

A door of steel plate set in concrete in the style of a slab wall with a grid of deep windows without a tree anywhere in sight, the second era of the quarries. Work 6790.

Flush left and ragged right setting of a wooden building blocks in primaries and a portfolio case tied with tape, the Basel school years, hairline rule printed at a quarter point. Work 6778.

A door key in nine flat squares, a signed edition, serial panel work in commercial inks, screen clog leaving a pale patch. Work 6766.

A hat box stacked on a leather case photographed as a service bell push beside a bed, staff portrait on a grand staircase, Kodachrome with dusty pink walls. Work 6759.

A hearing test booth with a padded door in the style of an eye wide in a field of sodium orange beside a rig flexing a joint on a loop, the years without a horizon. Work 6749.