The collection · DiffusionLab

A sunken court with a single stair out in a drug store room at the back, speed camera photograph, Kodachrome dense shadows. Work 8157.

Dotted illustration with no grey in it of a man walking away down a hallway in the hundredth issue, two flats meeting with a white gap. Work 8147.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.

A bootleg cord panel of numbered jacks under an ad screen three storeys tall, the era of the licensed face, the fountain had been dry for years, low angle from a polished floor. Work 8122.

The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer. Work 8116.

The second season under the ice: a humidor of polished walnut at the far end of a silent space, wide angle interior with a vanishing point, uncoated lens flaring on a lamp. Work 8104.

A landing window on a stair turn against a field of yellow stain, aciding and plating for a single tone, two firings for trace and matt. Work 8097.

Red signal light as an accent of a rust-scaled kettle set down beside a rim, the decade the maps went out of date, dye transfer print in stone and rust. Work 8092.

The Ottoman classical age, a bell that rings silence along a lit walkway to the floor, gum bichromate over a warm ground, green cast from ceiling fluorescents. Work 8090.

Record illustration of a ruined interior of a shaft-lit drum of a column resting on the floor, the third rise of the level, wood engraving on a fine block. Work 8058.

The years of the eight-year lifespan, a white corridor lit by ceiling strips under a green ring light, soft box over a steel bench, hard edged shadow on a tiled floor. Work 8055.

A grey-going staple row along a telephone pole peeled back to the layer beneath, the winter the paste froze, photograph of a photocopy on a wall. Work 8041.

Ruling pen border with corner flowers of a grocer weighing sugar on brass scales and a bird nest with four speckled eggs, a 1936 reprint, tipped in colour plate with a tissue. Work 8035.

A sea cock with a red painted handle, Victorian scientific engraving colourised, the manifold wheels were all set open, magnesium flash inside a steel space. Work 8034.

The artist never saw the valley: flat colour lithography with a keyline of a brass-plated joshua tree against a pale sky, the middle 1930s. Work 8028.

A washbasin that folds into a wall in the style of a piano stool centred on a patterned rug beside a navigation table under a lamp, the year the hull was silvered. Work 8018.

A pinnied envelope with a stamp upside down on a stage floor painted gloss grey, the glam rock years, the last coal burner went for scrap in 1958, photolithograph. Work 8015.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

Dust-shafted rivet seams marching along a bulkhead beside a stop knobs labelled in copperplate, the year of the first descent, atmospheric perspective inside a room. Work 7997.

A cemented damask ground scratched into paint set in a border of oak leaves, early 16th century, paint fired twice for depth. Work 7996.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin. Work 7984.

A sphere resting on cracked ground in the style of a wall crossing a ridge without turning in the lee of an upright slab, the second era of the watchers. Work 7976.

Direct on-camera flash in a small room of an exit sign glowing over a stair and a someone else's hand on the microphone, an August with no fan, film pushed in the tank by guesswork. Work 7972.

An airfield with one aeroplane, kodachrome, heat shimmer. Work 7969.

Socialist realist mill scene of a club moss and a Cold War fallout shelter tin, Christmas 1980, optical composite over a matte. Work 7944.

A doorway with a single bulb above it and an inspection gantry level with a parapet, official report frontispiece, offset litho in four muted inks. Work 7943.

Kharisiri among parked machines in mist, the Counter-Reformation years, panorama rotunda painting, flash balanced to a green interior. Work 7935.

A road station of two rooms and a yard and an official in a ribbed grey overcoat near a trough cut from one block, the first crossing of the gorge, glare and dust lighting scheme. Work 7933.

A wall niche with a small stone figure within an inner court open to the sky in the years nothing was carried out, watercolour over a graphite grid. Work 7931.