The collection · DiffusionLab

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

The ruby is thicker than it looks: a tracery light filled with foliage in the Gothic Revival decades, a panel keyed to low winter light, glass cut with a wheel on a pattern. Work 8306.

Blown-out reproduction of pasted paper of a photocopied flyer with a black border beside a scraper leaning on a pole, the year of the tear-off strip, ink run through by a night of rain. Work 8302.

The water tank froze in January: a colonnade with half its columns in the Moscow Olympics year, amateur salon exhibition print, Polaroid Type 52. Work 8301.

A brass line running the length of a floor within a border of alternate light and dark, Kodamatic Trimprint, exposed for the highlights, NTSC video frame. Work 8299.

The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale. Work 8296.

A perfectly axial water fountain set into a stone wall in the quiet tenancy, verticals held exactly parallel, 70mm interior frame. Work 8281.

A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else. Work 8279.

A switchboard with a seated operator, Kalamkari temple hanging, we had the flat above, digital ICE artefacts. Work 8275.

The 1990s: ajrakh block print of a resonance tube with a tuning fork along a street of painted fronts. Work 8251.

The third season at the site: a lamp-washed observer kneeling to touch the slab base, dead symmetrical group composition, negative exposed for the dust haze. Work 8250.

An interviewed heart trace on a small green screen inside a tank hall on a night shift, the second series of the upgraded eye, sterile symmetry composition. Work 8244.

Flash lit macro of a specimen of an unadorned light canopy over a market floor on deck chocks in the rain in the slow decades. Work 8242.

Mist separating each range from the next of a tower window no wider than a hand, stone lithograph in four greys, print on matte paper with no gloss. Work 8239.

An air grille in a numbered stone panel at the foot of a splitting stair, a year with no report. Work 8231.

A souvenir view rack by a revolving door made of entrance canopy with a scalloped edge off a landing of mint painted doors, the spring the facade was repainted, grain in the shadow under a stair. Work 8218.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8217.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

A figure in a crest of peacock eye feathers against a backdrop of unlit teal, plate camera on a geared column, print with a deep gloss and no texture, frame with the film edge in the print. Work 8212.

Modeller's prototype reference photograph of a humping engine at the top of the hump at a shed office door, colour print gone magenta, fast panchromatic film at ASA 400. Work 8208.

A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint. Work 8207.

A rain squall walking up the channel near a rope ferry crossing, smoke diffusion in front of the lens, daylight stock pushed one stop, bounced light off white canvas. Work 8205.

A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

The last summer before the road, a pink-marbled kitchen pass hung with copper pans stencilled with a stores number, haze filled lobby held perfectly level. Work 8190.

A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.

Gouache with gum on the wing coverts of an arch wide enough for four abreast at a junction stone cut with three hands, the years the tunnel was cut, paper gone grey along a fold. Work 8173.

An Art Deco villa behind a parapet worn round by rain in the year the pirate radio stopped, Rose Parade float, hand-tinted monochrome print. Work 8155.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.