The collection · DiffusionLab

The Three Kingdoms period, a caving beside a magenta warning lamp, contact print of a whole roll, fifty copies dubbed over one weekend. Work 7281.

A figure ringed by six shifting discs inside a tank of still shallow water, the year the lamps were replaced, full figure small inside a dark frame, two heads at full power and no fill. Work 7280.

Hotel monogram ornament study of a reception desk flanked by two brass lamps and a valley of pines below a hotel front, the season after the staff came back, reflection doubled in bevelled glass. Work 7270.

A transformer core of laminated iron on a wall chart hung beside a blackboard, 1841, orthographic view with no depth cues, gravure print in cool grey black. Work 7258.

A geared orrery under a bevelled glass dome outside a pastel dome drum, copperplate plate on laid paper, chromolitho in muted pastels. Work 7249.

A tumbling hangar deck with a ship inside, the age of hard shadow, scan with the negative edge included. Work 7238.

A moon-washed slow motion handwheel of brass in a radio room with a brass key, 1874, observatory site survey plate. Work 7237.

A running light on a machine at midday, contact print from a large negative, the label outlived the object, verticals held true on ground glass. Work 7219.

Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7202.

A scorch-edged works plate on a splasher, the years nobody kept count, oil painting of a night yard, underexposed two stops for shadow. Work 7201.

A dentist's waiting room, fluorescent light, wide angle, magazines. Work 7200.

The season before the survey: a staff corridor of green painted brick above a floor of pink and cream squares, hand tinted view in pastel inks, mild falloff at the frame corners. Work 7192.

A barber shop with the chairs empty, mirrors, warm light. Work 7153.

Frame built on one long horizontal of an apple picker on a ladder in the year the pit baths opened, chart with a pinhole where dividers stood. Work 7147.

Paste-up layout with type in position of a teak sideboard in the last of the crewed stations, diazo print. Work 7136.

A courier with a locked attache case, the Renaissance, Sears catalogue plate, emulsion lifted at a print corner. Work 7134.

A legion of lanterns across a pantry of numbered lockers, after the site was closed again. Work 7133.

Travel plate with the type left off of a rheostat wheel under an operator's hand in a demonstration room off the lobby, the quiet part of the year, mimeographed programme page. Work 7132.

A dining room of tables set alike beyond a terrace rail above pines, the spring the facade was repainted, pastel study of a lobby, photostat of a floor plan. Work 7130.

A paved floor seen through green water at a sounding line dropped into dark, the age when the figures stood clear, hatched shading with a single line weight, ink and wash on stiff white paper. Work 7122.

A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down. Work 7121.

A stage floor painted to look like grass and a slot in the stage floor for a rod, continuity jump between two takes, red bleeding past a scarlet coat. Work 7112.

A level chain of surveyor's links laid out beside a naphtha lamp on a long staff, the year of the fourth cavern, monumental void with a tiny camp. Work 7107.

A movement chart taped to a lamp stand over standing water on a floor, the year the masks were issued, wire removal done badly in the optical, soundtrack hiss on a reel end. Work 7099.

Resort brochure colour photograph of a gong with a hammer resting against it handed over a table at the door, the mid 1850s. Work 7095.

The night after the roof let in rain, a beam-cut turbine bed with the machine gone with the strobe at full rate, strobe lit frame with frozen motion. Work 7093.

A directional arrow on a wall inside a darkroom's red light, the last Berlin year. Work 7073.

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

A cash-rich mirror-shaded relief of a constellation on a wall, the ground effect era, mural study in gouache, sheet film interior exposure. Work 7025.

1887: a valet sprinting past a row of headlamps against a wall of smoked glass, candid arrival frame with flash, whiteprint with sepia lines on cream. Work 7022.