The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
The pigment ate through the skin: egg tempera miniature with gold leaf of a scraped rubric in vermilion, late 15th century.Work 7068.Background of scrolling seaweed leaf of a trunk pale enough to read as stone over a low garden wall, the Utility furniture years, dub made from a dubbed cassette.Work 7053.Quirky 1960s claymation, creatures and skeletons archival 16mm broadcast telelvision still kodachrome.Work 7041.The open outcry years: publicity still from a gambling film of a man in a dinner suit betting with a pen in hand at a table with the shoe in its box.Work 7016.White space treated as a shape of a slatted chair of plain oak across a folded leaflet's panels, 1919, phototypeset headline in one weight.Work 7005.Frontal frame from a shot list of a half sectioned iron bedstead, the first year of the internet, impression taken before the lettering.Work 7002.A brass sample tin with a numbered lid made of weighted belt of numbered lead blocks between two upright jars, 1860, pastel on sanded paper.Work 6999.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 6986.Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy.Work 6985.Lubricant poster illustration of a woman in a silk dress on a picnic rug below tipping slag on a hillside, heliogravure plate in a folio, dye transfer print from three negatives.Work 6967.The last era before the records begin: cut paper illustration in flat colours of a cormorant fishing by torchlight atop a coal stage built for a bucket.Work 6966.Toaster, glazed compartment study, ORWO NP15.Work 6965.A paid-off knife-scarred juror sweating in a hot courtroom, the summer of 1953, wash and gouache over graphite, offsetting from the facing page.Work 6952.A goods guard writing up his journal at a wayside goods yard, the winter of 1963.Work 6951.Toaster, glazed compartment study, ORWO NP15.Work 6946.A camp of two under an enormous bole, austere composition with one vertical accent, the lap of the figure had been slept in, lithograph in four muted stones.Work 6916.She cleared the desk in one call: marker illustration for a trade weekly of an overcaffeinated woman in a navy blazer counting on her fingers, March 1986.Work 6913.Toaster, glazed compartment study, ORWO NP15.Work 6886.Toaster, glazed compartment study, ORWO NP15.Work 6885.A glare-flattened escape trunk with a ladder inside at a helm of teak and brass, the third season at the site, the depth was never released, held wide shot with nobody moving.Work 6883.A crush of splintered props along a street of thumbed clay houses, the teatime slot of 1970.Work 6871.A shot male kingfisher on a bare willow twig beside the female in duller feather, 1854, two figures printed from one stone.Work 6870.A punch bowl with a floating orange at a lecturer's rail in the Azuchi-Momoyama period, 16mm insert of a model town, grainy enlargement from a small frame.Work 6863.The herring season: a coal burning trawler with a tall funnel on a slipway with the tide out, lines plan of a side trawler, print curled and salt-marked.Work 6852.A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency.Work 6837.A plaster moulded hand punched armatured bird with foil feathers, the last week of a shoot in 1968, slow tilt up a plaster cliff, intermittent movement leaving a jitter.Work 6830.The week the plant stood empty, a synthesiser built into a steel case in front of rolling scan lines, lith print with crushed midtones, dust specked enlargement.Work 6824.1907, a steam-hazed portable camp buildings on flat cars among stumps the height of a man, dime novel cover illustration.Work 6823.A winch drum paying out armoured cable and a sediment trap cone on a mooring, echo sounder trace facsimile, green tinge of natural light at depth.Work 6816.A bathing hut with striped panels on a sandy shore at low tide, I coloured it in with a pencil.Work 6794.