The collection · DiffusionLab

A crisply-outlined hunter with a gun dog against a plain kraft wrapper, the post-war export years, Belgian match label art. Work 6942.

The hundredth issue, a suitcase open on a motel bed in a hallway of solid black shadow, registration pins used loosely, squeegee pulled twice in one stroke. Work 6941.

Painted plate with a hard silhouette of a dead-level single column rising out of heat haze against a sky flattened by heat in the years the readings disagreed. Work 6940.

A moss line just above the water mark along a stylobate step run under water, one column stands where none was built. Work 6939.

Copperplate chart engraving of a ladder on a rail to the high pigeonholes inside a plan chest tray, 1886, halftone from a survey report. Work 6938.

A walker leading a loaded animal and a block being lashed with wet cord, long lens compression over flat salt, print with the highlight clipped flat. Work 6937.

Walking challenge, press photograph from the pit wall, 65mm frame with a huge sky, soft graphite on laid paper. Work 6936.

The years after the arch fell, a causeway running dead straight to a haze opposite a figure weathered to nothing, cyanotype printed by sunlight, shift lens on a 4x5 monorail. Work 6935.

Side light raking a wall of rivets of a gauge-crowded chandelier of cut glass under a low deckhead over a sight glass column in the year of the first descent. Work 6934.

A packing house with a long dock above a valley floor of green squares, 1943, gouache label art with crisp edges, roller streak across a graded sky. Work 6933.

A human pyramid against a plane of pure cyan in the year that was counted twice, paper browned at the fore edge. Work 6932.

The key came back on the wrong hook: baths of white tile in a row in the months nobody travelled by day, wide angle interior with true verticals, registration soft on the far ridge. Work 6931.

Dust-choked chalk-priced grasshoppers on a fence wire, harvest of 1928, documentary photograph for a relief agency, colour print with a yellow cast. Work 6930.

The spring of 1956, a lighthouse broadcasting morse to the stars atop a cover of two heavy slabs, progressive proof of cyan and magenta, Kodachrome 64 with the sky gone deep. Work 6929.

A long armed cross stitch band within a narrow band of pulled threads, the reds have gone to brown. Work 6928.

The printer lost the yellow stone: illustrated prize list cover of a five-colour gardener mowing stripes ahead of a queue of cars, the 1931 winter season. Work 6927.

One edge ruled from corner to corner of an immeasurable grid of structures seen from a rim, fifty generations of looking, one stop under to keep the black. Work 6926.

Isometric tower schematic of a crowd at the tower foot looking up in the fourth quarter of the long expansion, aircraft lights as short trails. Work 6925.

A tuber cluster of a lesser celandine on unsized rag paper, 1824. Work 6924.

A mist-cut Chicago blues bar beneath a coffered ceiling grid, the Italian economic miracle, the last run was printed in five inks, studied scale contrast. Work 6923.

Leaded stained glass with painted trace of a highlights picked out of a matt in the head of a tall church window, pot metal glass leaded with painted trace, broken glass held with a mending lead. Work 6922.

A blackcurrant bush in full leaf on a counter display box in 1779, print with the border trimmed off. Work 6921.

The belt took his arm in 1911: newsreel frame of a mill closure of a spindle-scarred knocker up going along a street, 1910. Work 6920.

A tape traded hand to hand up the spine of a taped case, biro lettering enlarged on a copier, home-dubbed ninety minute tape. Work 6919.

A group at a long table under an awning and a player mid-smash above the net, fence detail figure in a catalogue, blueprint of a yard boundary. Work 6918.

Two attendants carrying a rolled white mat and a figure descending a ladder of lit rungs behind a hatch of smoked glass, the second century of the passage, deep focus anamorphic frame. Work 6917.

A camp of two under an enormous bole, austere composition with one vertical accent, the lap of the figure had been slept in, lithograph in four muted stones. Work 6916.

An ochre-lit crate stencilled with a number and nothing else beside a figure with the whole frame going magenta, the era of the saturated light, blueprint elevation with a scale bar. Work 6915.

A movie poster for a spy film set in one hotel, 1963, geometric. Work 6914.

She cleared the desk in one call: marker illustration for a trade weekly of an overcaffeinated woman in a navy blazer counting on her fingers, March 1986. Work 6913.