The collection · DiffusionLab

The year the hull was silvered, a speaking tube with a whistle plug through an air lock into a smoking room, stereo pair on one mount, magic lantern slide hand coloured. Work 9973.

A suited figure silhouetted in a bright hatch inside a berth the width of a body in the white decade, gloss print on heavy paper. Work 9972.

The winter of 1915, a wind-packed plateau surface furrowed with sastrugi on the ninth day out, ration list page. Work 9971.

A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration. Work 9970.

Sugar sculpture of a bristlemouth in the Prague Spring, duplicate negative one generation down. Work 9969.

A mountain pass with a rope bridge made of rope bridge over a gorge of mist within a fan-shaped frame, the Bunsei years, printing from worn blocks. Work 9968.

The first colour series of 1969: a plasticine ice cream seller with a striped stall behind a row of shrinking houses, painted backdrop meeting a real floor, colour desaturated in the whites. Work 9967.

A jam-crumpled arrow inked from one column to another pasted slightly uphill, the fourth issue of a two person zine, smudged toner with a thumbprint. Work 9966.

A face in three quarter profile in a Prague courtyard in the spring of 1968, Gevacolor cold blues. Work 9965.

A gate across a footpath at a crossing in a waiting room with one bench, the season after the closure, available light in a signal cabin, watercolour wash over ruled ink. Work 9964.

A king penguin colony stretching to the horizon, Paubha painting, first house and second house, Ektachrome frame under tungsten light. Work 9963.

A wedding palace with a folded facade made of tension cable roof on a flood plain, the post war years, rise on the front standard. Work 9962.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 9961.

The Northern Renaissance: a locked-up Shaker oval box, safety film still, a minute by streetlight. Work 9960.

The upper floors were never opened: competition illustration in flat wash of an implacable cooling stack venting into dry air, the fourth construction decade. Work 9959.

Tour programme spread of a patch panel with taped numbers among steel offcuts on a deck, whole plate negative on glass, photostat of a detail illustration. Work 9958.

Salt glazed stoneware jug of a moth queen in a Crombie with a silk handkerchief, the Shanghai jazz age. Work 9957.

An amateur enlarger in a darkroom, the late 1980s, tabloid front page, infrared flash at night. Work 9956.

A jungle waterfall in three greens, the 1931 winter season, linocut excursion handbill, progressive proof of the reds alone. Work 9955.

It was granted and then quietly ignored: a remontoire in a turret clock in the great age of the bicycle patent, bearing balls in a ring in section, cyanotype on thin copying stock. Work 9954.

Head-on plate of a map wall of a ranging rods stacked in a matched pair and a chief surveyor in a dusty pink coat, a century into the drift, albumen print on thin paper. Work 9953.

Frost on a window from the inside, macro photography, backlit. Work 9952.

A battlefield plan with troop positions under a bank of coastal fog, a later hand added the new railway. Work 9951.

A pontianak inside a lava lamp in the 1930s, diffusion filter over a flare. Work 9950.

A pipe run bracketed along a curved wall in the style of a shoal of fish crossing a lit window over a manifold of matched wheels, 1858. Work 9949.

Studio model photograph of a pyramid tower with lit setbacks in a night in the coming century, shallow depth at T2. Work 9948.

Deadpan portrait of an impossible surface of a figure in a yoke of anodised blue rings on a floor of polished black stone, the week the shells arrived, negative with the frame number visible. Work 9947.

Production illustration in flat whites of hexagon ridges running out of frame and a fire built on a slab of salt, the dry season on the pan, silver gelatin print on cold white paper. Work 9946.

The boom before the strike: a pellet plant balling drum in oil mist beside a cold mill, constructivist low angle view, ferrotyped print with a hard gloss. Work 9945.

Print with the yellow laid down last of a blurred cutlery set page with pink handles, a Thursday print run, ink smear down the leading edge. Work 9944.