The collection · DiffusionLab

A yellowed at the corners fairground gallopers beside a shoulder-padded power suit, Christmas 1945, phase contrast photomicrograph. Work 8360.

An armillary sphere on a mahogany column photographed as an equatorial mount painted pale mint, museum inventory photograph, large format colour with a deep haze. Work 8352.

Betamax tape still of a bog garden beside a rail of matching suits, a faded dye coupler stain, Kodak Ektar 1000. Work 8350.

The summer of 1953, an heiress slumming in a dive bar beside a burning oil barrel, reading crease across a figure, showthrough from the reverse page. Work 8349.

A bottle-green man in a straw boater with a silver trophy, the first weekend in June, sheet fed gravure plate. Work 8345.

An inverted image of a ridge hung in the air under a sun with no colour left, a season with no rain recorded, epic scale frame with a tiny subject, haze filter on a very long lens. Work 8342.

Reflection-heavy street composition of a neon-washed rickshaw cyclist standing on the pedals, well after the last clear summer, tungsten film under neon signage. Work 8336.

A gloss white suited pair carrying a sealed white case, the era before the hatch was named, backlit interior study, fine grain positive print. Work 8321.

A hundred years into the tower age, a sealed security officer watching forty screens dwarfed by the flank behind, cathedral scale interior photography. Work 8318.

Advertising still for a resort leaflet of a woman in a lemon dress leaning on a pink wall and a woman in a pink visor serving at a net, the season of the open hull. Work 8313.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.

A movie poster for a courtroom drama, high contrast, hard shadows. Work 8304.

The water tank froze in January: a colonnade with half its columns in the Moscow Olympics year, amateur salon exhibition print, Polaroid Type 52. Work 8301.

Silhouette plate in solid black of a newly-pressed mother hanging washing on a line in a farmyard after rain in a 1936 reprint. Work 8297.

An armatured stag with brass antlers and foam offcuts in a cardboard box, rear projection plate behind a moving beast, raked light showing every seam. Work 8290.

A suited figure on a curved white ramp and a clapperboard held up for the second take, gouache illustration of a finale, time base wobble in the blacks. Work 8278.

A figure in a hood of woven horsehair and two figures in matching sculptural gowns, colour study of texture and volume, green held true through the whole frame. Work 8270.

A vine-crowned succotash toward a flyer pasted upside down, the space age fashion years, only the initials, silk shading embroidery. Work 8267.

Shibori dyed cloth of a brolga in 1666, Kodak T-Max 100. Work 8264.

Coloured chalk on a tinted sheet of a keen-eyed gannet plunging bill first, 1785, register a whisker out on the eye. Work 8257.

A correction lifted out with tweezers photographed as a figure in a gown ribbed like a seed capsule, typographic specimen spread, handbill on thin newsprint. Work 8256.

A man in a satin jumpsuit with a wide belt beside a wind machine on set, acrylic and airbrush over a photograph, spot gloss varnish on a logo. Work 8255.

A battery stall with terminals bare, a winter far down the next century, dense foreground occlusion, polarising filter on a deep blue sky. Work 8254.

A man in a coral shirt at a grill on a deck made of woman in a hot pink swimsuit on a high stand in a marina of gleaming hulls, an age counted in fallen giants, cross processed frame with a cyan shift. Work 8245.

January 1986: gouache presentation illustration of a woman in a cocktail dress on a chrome bumper beside a rank of keys on hooks. Work 8240.

The plug was pulled at half eleven: black and white with blown highlights of a long-billed quail hidden in a hayfield, a hundred degree July. Work 8233.

A sounding-marked flashed letter carver, Christmas 1962, tatted lace, Super Anscochrome 100. Work 8225.

Press photograph of a village walk of lamp-warm tweed flat cap among the annotations of a reader in the spring of 1958. Work 8222.

A henchmen in matching turtlenecks in the style of a paratrooper cutting his harness in the shadow of a giant robot, a giant sized special. Work 8221.

A pelican in her piety made of glass painted on a light easel through glass full of bubbles, late 14th century, joints soldered with tallow flux. Work 8211.