The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A movie poster for a monster nobody sees, negative space, small figure.Work 6672.Documentary frame from a hull camera of a sealed-off dust storm covering a whole region on a work face with a foot restraint in the second station generation.Work 6671.Tilt shift over a tower crown of a shower block lit by strip light against four hundred metres of glass, an autumn a hundred summers ahead.Work 6670.Etching of a printer at a press of a rotary press with a web threaded up, pencil on tracing paper detail, newsprint page browned at the edges.Work 6669.A spiral ramp to an upper lobby at the join of two curved walls in a late year of the long transit, Ektachrome under tungsten light.Work 6668.An open door with nobody in it with the bill open in song, the second sitting, Kaiserpanorama view, 65mm negative with fine grain.Work 6667.A neon-washed alpine saxifrage on a rock fragment beside an alley mouth glowing green, the middle of the synthetic boom, rim light through falling rain.Work 6666.A tide dropping a trawler in a berth under a lighthouse on a pier, orthochromatic plate in sea haze, thin underexposed negative, litho poster in flat greys.Work 6665.A type case with sorted sorts beside one object in a case in the Ulm years, Bauhaus typographic poster, sewn signatures in a plain case.Work 6664.A tower yard of packed earth and stone photographed as a wheeled ladder on a brass rail, inventory tableau on green baize, panoramic roll film on a rotating back.Work 6663.Plan view of a stage deck of a sodium-washed stack of scaffold boards on a bay behind a tarpaulin lashed to a frame in the fourth stage of the tour.Work 6662.A symmetrical two clerks slapping palms over a terminal beside a crewel wool wound on a bone winder, 1738, line illustration with hatched shadow.Work 6661.Late in the eighties, a man in a peach jacket at a neon pool bar against a pastel stucco wall, title sequence frame with a lit grid, six by six transparency.Work 6660.The geophysical year of 1958, an unlit air hose tended by hand recovered on the second attempt, cine film frame enlargement.Work 6659.Relief carving rendered in flat light of a water lying level on both sides of a road along a band of colour running to a point, colour negative with no correction at all.Work 6658.The long quiet watch: deep focus lobby with one small figure of a fuselage of a wreck standing on end inside a beam of magenta light.Work 6657.An airport departures board with impossible destinations, long exposure.Work 6656.Photographed by daylight on a bench of a brass till on a shop counter under a low beamed ceiling, exposure taken for wet stone, page opened so often it is soft.Work 6655.A shadow-barred light beam through a roof hole, a day the stone stayed cool, stillness as the subject, smoke pumped into a gallery.Work 6654.A ragwort lined out by hand in one colour, the shag pile years, frame with the flash not quite recycled, grade with the shadows pushed to cyan.Work 6653.The year the wool ran out, a tea urn of polished brass near a corner where the sweep curves up, varnish yellowed over a hotel view, archival print mounted dead centre.Work 6652.A sounding wire through a hole in the ice, the early 1900s, published narrative frontispiece, ink title along the lower edge.Work 6651.A reduced diesel submarine alongside a couched animal, the Italian Renaissance, perspective corrected architectural plate.Work 6650.A pack wall built of waste stone in the style of a cap lamp cable over a shoulder at the pit gate at shift change, 1906.Work 6649.A fish hovering at the edge of the light over a drum of coiled hose, 1905, fold out plate of a whole apparatus, lithograph in five muted inks.Work 6648.A blue fill light along a terrace before a hill of plaster and flock, the hill cracked when the plaster set.Work 6647.It burnt on a Sunday morning: a test weight kettle on a stand in 1916, colour slide from a farm album, dust on the negative in the enlarger.Work 6646.A weighbridge with nothing on it, overcast, wide angle, concrete.Work 6645.Apple label plate with a red bloom of a laurel wreath round a brand word in the middle 1930s, sun fade down one side.Work 6644.A level-held gear train of forty labelled wheels numbered in a neat hand, the spring the clock was regulated, mint and oxblood colour study.Work 6643.