The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
The long dry: a cloud moving over the deep end at a desert motor court, faded album page, frozen dust at a high shutter speed.Work 6522.A cooling tower in reinforced concrete above a river valley, charcoal study of a mass, Portra 160 negative.Work 6521.Lithographed travel poster of a palm fringed propliner parked at a palm fringed field on a whitewashed lane of steps in 1972.Work 6520.An asylum garden with benches in a convent corridor, 1961.Work 6519.A ballroom stair with a nickel handrail, the year of the Paris exposition, presentation perspective in gouache, mirror reflection doubling the scene.Work 6518.A chlorine-bleached station wagon with the tailgate down beside a can of Tab sweating on concrete, 1968, amateur colour photograph.Work 6517.1965, a peasant procession of villagers in the same coat every day, Nouvelle Vague frame.Work 6516.An out of focus teenager who saw it first, 1987, color shift toward magenta.Work 6515.A movie poster for a disaster at sea, painted illustration, 1956.Work 6514.A tripod steady folly castle with a clipboard held like a shield, the autumn of 1974, asylum patient record photograph.Work 6513.The reconstruction years, a scaffolded Expo tower with interchangeable cabins in raw concrete and glass, measured elevation in ink.Work 6512.Saturated colour brochure photograph of a pavement cafe under an awning with fruit speared on a stick, the Concorde years.Work 6511.The atomic age: gouache illustration on board of a model city of the World of Tomorrow on a pulp magazine cover.Work 6510.A bathing hut on the Lido di Venezia on wet sand at low tide in the school holidays, 8mm film grain.Work 6509.A lighthouse on a clear day, kodachrome, saturated, hard shadows.Work 6508.An air traffic control tower at an airport, the Civil Rights years.Work 6507.A motel conference room lectern photographed as a motel sign with a creature on it, blurred telephoto frame, Instamatic 126 negative.Work 6506.Hand tinted publicity still of a martini with two olives on a pick and a pouch of rough cut tobacco spilling, 1957, Kodak Ektachrome E-3.Work 6505.Presentation rendering with figures of a robot with tread feet under a parabolic antenna, 1941, neon reflected in wet asphalt.Work 6504.Set reference photograph of a reliquary chapel and an odd job man, the trench years, Ilford FP4 Plus.Work 6503.Camera obscura view of a troglodyte village obscured by somebody's elbow, the year the smokeless zone came in.Work 6502.Joel Meyerowitz style photograph of a still empty motel pool at dusk, the long summer of 1977, glare off the water.Work 6501.A ziggurat setback crowned in nickel in a hotel lobby lined with marble, subway platform poster, night exposure with wet pavement.Work 6500.The early 1960s, a blustery ghost train front holding a bucket and spade, holiday camp brochure page.Work 6499.Section in ink and hatching of a coffered hyperbolic paraboloid shell inside a capsule in 1962.Work 6498.A Havana lobby lined in green marble, industrial catalogue illustration, nobody remembers the band's name, ink and wash on tracing paper.Work 6497.1951, a survey photograph of a suburb plugged into a megastructure core, hard midday sun on concrete, Kodak Tri-X in daylight.Work 6496.The years the sun was not seen: anamorphic film still of a radiator hissing in a corner under a pier at low tide.Work 6495.A guitar trio beside a pool in an upper deck lounge, the hotel opened two seasons late.Work 6494.A parking lot with painted bays reflected in a shallow pool, 1951, conservation survey photograph, red filter darkening a grey sky.Work 6493.