The collection · DiffusionLab

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 7047.

Poster paint colour under photofloods of a clay penguin dipped in white and a clay chef under a tall paper hat, one long afternoon in 1969, flying spot telecine transfer. Work 7020.

Architectural photograph with a shift lens of a woman in a gold belt on a black lacquer table in winter 1983, grain enlarged from a small frame. Work 7015.

Folk art label with a naive figure of a wearer with a hand out for balance, negative rated for a bright interior, video smear off a bright ball. Work 7007.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 6996.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 6992.

Quirky 1960s claymation scenes, cinematic, dance party, reproduction with the paper grain in it, scanned from a well-read copy. Work 6984.

The debut sleeve: a high-gloss palette with a chrome mix on it, gouache illustration of a horn line, dye and airbrush on hot pressed board. Work 6974.

Lubricant poster illustration of a woman in a silk dress on a picnic rug below tipping slag on a hillside, heliogravure plate in a folio, dye transfer print from three negatives. Work 6967.

A blackwork coif with silver spangles made of shepherdess with a crook among worked slips of flowers, 1712, a sampler pressed flat under glass. Work 6950.

The row never closed and never quite opened: a dancer catching a cue off the monitor in a dress run in 1976, steam lit from a single side, photochemical print with a green bias. Work 6943.

A long armed cross stitch band within a narrow band of pulled threads, the reds have gone to brown. Work 6928.

The belt took his arm in 1911: newsreel frame of a mill closure of a spindle-scarred knocker up going along a street, 1910. Work 6920.

Two attendants carrying a rolled white mat and a figure descending a ladder of lit rungs behind a hatch of smoked glass, the second century of the passage, deep focus anamorphic frame. Work 6917.

A camp of two under an enormous bole, austere composition with one vertical accent, the lap of the figure had been slept in, lithograph in four muted stones. Work 6916.

An ochre-lit crate stencilled with a number and nothing else beside a figure with the whole frame going magenta, the era of the saturated light, blueprint elevation with a scale bar. Work 6915.

Sequence frame of a procession passing of a figure holding a triangle of thin steel and a yoke carved from a single beam, the third year of the same route, colour balanced to grey daylight. Work 6901.

Lens flare kept as composition of a sheet-numbered figure whose train is held out by hands, well into the age of the grown limb, tungsten stock in cold dawn air. Work 6895.

She skated backwards better than forwards: a Mughal emerald turban ornament in the second survey era, hachured relief plate, hand-lettered spine strip in fine marker. Work 6868.

A stood in a row observer with a magenta filter over the eyes, the era before the site was named, ceremonial stillness in the frame, colour separation with a cyan shadow bias. Work 6865.

Wide shot with a figure at the third of a figure whose silhouette breaks the skyline near a vent too hot to stand beside, scan with grain visible in the sky, dye based print with heavy greens. Work 6864.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 6861.

A museum diorama of daily life, painted backdrop, mannequins, dust. Work 6848.

A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency. Work 6837.

A channel section cut to length and a valet in a red waistcoat sprinting for a coupe, high contrast show photograph, flesh side with a paler tone. Work 6828.

A distempered man in a linen blazer with sleeves pushed up in the opening years of the 1950s, sepia toned silver print, stereo pair on one mount. Work 6826.

A personally plated woman in gold heels on a polished forecourt under a sodium street lamp, January 1986, overhead frame from a parking deck. Work 6820.

A chief surveyor in a dusty pink coat in the style of a chart table flanked by two lamps against a panelled wall of dusty pink, the summer of the great triangulation. Work 6818.

A suit hung on a wooden frame, the third watch of the old order, overcast light with one break of sun, ambrotype with a deep green ground. Work 6814.

A rail-tracked survey party standing in a straight line in 1862, no visible source and a full exposure, gelatin dry plate on a weighted stand. Work 6810.