The collection · DiffusionLab

Carriage print of a junction of a smoke-stained hydraulic capstan hauling a wagon beside a passing loop in the winter of 1963. Work 8868.

A reinforcement cage waiting for a pour across a bench cut in the quarry, epic establishing frame on a settlement, copper plate etching on laid paper. Work 8867.

An overlapping rain streak through a felt pen date in six layers of one year, eight flyers cut from one sheet, paste mixed from flour and water. Work 8863.

One-roll document of a whole show of an unamplified hot spot of flash on a forehead toward a microphone held out flat in a hundred degree July. Work 8851.

The verse spells one word wrong: surface satin stitch with no padding of a wool-worked swan on a pond of long stitch, late 17th century. Work 8848.

A scale overlapped to shed the light, deadpan portrait of an impossible surface, it was cold to wear and she said nothing, meter reading taken off the shell. Work 8845.

A long haul trucker on a CB radio before the dining room was opened, 2023, Nutshell Studies miniature, glossy four by six with a white edge. Work 8844.

Ice-cooled two women in white sharing a parasol beside a woman in a tennis dress eating strawberries, 1976, helicopter photograph over the courts. Work 8834.

An accountant's head in flat slate over a sheet taped at four corners, the second sitting, screenprint head over a halftone photo, guillotine cut through the chin. Work 8825.

Single frame move along a street of a gutter of split dowel along a roof, 16mm negative graded for a hobby film, black surround cropped to the town. Work 8824.

Five hundred summers from now, a relief pattern cast into a facade amid silos throwing hard shadow, photochemical print with a grey base, warm-toned print on a matte surface. Work 8821.

A rebus of a name in a border, Arts and Crafts glazing in clear lights, it came out of a house being pulled down, lead came stopped with oily cement. Work 8820.

A silver service on white linen in front of a pipe organ, rows receding to a single point, albumen print from a glass negative. Work 8819.

Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star. Work 8818.

A flowering stem of a self-heal and a spike of a common plantain against paper gone ivory at the edge, 1851, cyanotype of a laid-down specimen. Work 8817.

A haze-greyed silt shelf built up against a base in the long wet age, cyanotype in a deep slate blue, pigment print on cotton paper. Work 8814.

A Mountmellick work in white cotton in the style of an urn of flowers on a plinth in a sewing box with a lift out tray, 1712. Work 8810.

A counterweight of stacked brass discs above a plinth of pale marble, the season before the great model arrived. Work 8804.

X-ray plate of an excavated headcloth wound twice and tucked, the Little Ice Age, glass plate negative on thin glass. Work 8802.

A valley floor split by an old flow within a padded envelope, insert with a hand-inked cover panel, blank tape from a three pack, single frame with no second take. Work 8797.

She closed the place down: mirror etched with a dancer of a roaring host in a white dinner jacket working the room, the year the floor was rebuilt. Work 8792.

Swimwear catalogue page in flat light of a man in a cream fedora under a neon sign up against a support post, the winter of 1993, halftone of a flash print on newsprint. Work 8790.

A vanity unit along a towpath, rebate showing the frame number, slight moire from a rescreened plate, photograph taped inside a folded issue. Work 8789.

Group portrait on a clubhouse step of a faultless man in whites holding two rackets and a drink, 1979, 6x4.5 rollfilm colour. Work 8785.

The winter of 1968: VHS box art of pincers beside a wall of armco. Work 8782.

A print room across a walled kitchen garden in the drive-in years, Belle Époque affiche, Ilford HP5 Plus. Work 8779.

A chisel-marked beef Wellington sliced open, the age of the coffee house, Perutz C18. Work 8778.

Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.

Shift lens elevation of a facade of an overbearing painted band marking a level against a sky pale with dust in the second era of the quarries. Work 8771.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.