The collection · DiffusionLab

1953, a photostatted service station with a folded plate roof repeated eleven times, department store catalogue plate. Work 6281.

An open air rum drink with fruit on a stick with a paper parasol in the glass, the first jumbo season, cruise advertisement in a colour supplement. Work 6280.

A scavenged haboob rolling over the horizon out where the salt meets the sky, the years after the water ran out, the wind takes everything eventually, cross-processed photograph. Work 6279.

An aproned dog at the edge of the water beside a pool ladder, the last week of August, piece to camera by a spokesman. Work 6278.

A patient Japanese beach house awning, 1972, Shirley Baker style photograph, tracking lines at the bottom. Work 6277.

A cinema with three people in it on a shuttered terrace, the spring of 1968. Work 6276.

The year the river was roofed over: optical composite frame of a pachinko player in a smoke haze under a vaulted concrete ramp. Work 6275.

The atomic age: an antenna topped turntable with a car revolving on it, exhibition guide illustration, low angle with a wide lens. Work 6274.

An oven fresh two inch tape reel on a spindle, 1949, daytime serial break frame, white dropout flecks in a dark area. Work 6273.

Filipino jeepney art panel of a self important slider phone in a flooded basement in 2029. Work 6272.

Asbestos survey photograph of a stirrup and a mail sack of letters to a researcher, the age of the fax machine, Dynachrome 25. Work 6271.

Everybody lies about the money: a railway signal in the rain in 1944, cinematic frame with deep focus, shot on Eastman Super-XX. Work 6270.

A blue pool vacuum hose on a night express, 1927, holiday album photograph, rotogravure printing. Work 6269.

A brise soleil across a south wall in a double height foyer, nobody has used the ramp for years. Work 6268.

A planter's punch on a rattan table at the rail of a ferry, travel film frame in sixteen millimetre, haze over a bay in the afternoon. Work 6267.

Yacht club regatta photograph of a long white glove past the elbow in a red coat, 1926. Work 6266.

An overcast stack of deck chairs chained up, 1960, dust in the gate. Work 6265.

A troll market on a rooftop of antennas in the Taisho democracy years, a microfilm reader screen. Work 6264.

An overexposed concrete balcony above the sand, the late 1960s, yard light at night. Work 6263.

A venetian blind half open under a tangle of live cable, the decade after the blackout. Work 6262.

Night photograph of a file box tied with string surrounded by umbrellas, the age of the sealed cities. Work 6261.

A drone pilot at a dressing table ringed with bulbs in the thirteenth month, cliché verre plate, expired Kodak Gold with a green base. Work 6260.

1979, a sugar frosted colour bars with a tone in the corner while the announcer keeps talking, safe title area framing. Work 6259.

An unsettled ship's cook in 1703, Kodacolor II with faded cyan, Fujicolor Superia 200. Work 6258.

An anchor dropped into the sky at Whitley Bay, dodged and burned print, Kodak Instant PR10, flash falloff into black. Work 6257.

A man made of doors on a road that runs straight to the sky, everybody else is looking left. Work 6256.

A natural history diorama of an extinct bird, museum lighting, painted backdrop. Work 6255.

A cantilevered office box on a single core through a breeze block screen in the year the estate opened, thirty five millimetre slide in a mount. Work 6254.

Ancestral portrait of an unamused debutante's first waltz, 1924, tungsten light in a studio. Work 6253.

The year Sputnik went up, a planetarium dome at showtime inside a domed city, lit from below like a stage, overexposed sky behind a fin. Work 6252.