The collection · DiffusionLab

Cyberpunk jungle airship. Work 8916.

An off-register brick paper glued over a balsa wall, the last job before the works closed, low camera among balsa terraces, sun-faded top of a stacked pile. Work 8915.

Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening. Work 8912.

A heat plume bending the light above a roof and a crowd on a glazed sky bridge in a loading dock below the plaza, deep in the century of the pyramid, tiny figure against an enormous wall. Work 8909.

Zero haze with detail all the way out of a torus section a kilometre across over a continent gone to dust, lith print with a crushed shadow, letterpress plate on antique laid. Work 8906.

Duotone photograph with flat type of a plywood-built glass curtain wall at a corner, the Basel school years, collotype with a soft continuous tone. Work 8904.

Cyberpunk jungle airship. Work 8902.

Cyberpunk jungle airship. Work 8901.

Cyberpunk jungle airship. Work 8900.

Cyberpunk jungle airship. Work 8897.

Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper. Work 8892.

Metalcut print of a half scale jet bridge, the first year of the wireless, sharp to the far ridge. Work 8872.

A reinforcement cage waiting for a pour across a bench cut in the quarry, epic establishing frame on a settlement, copper plate etching on laid paper. Work 8867.

Stone grey with mint accents of an onlooker leaning on a rail high above in a telephone booth of mint panels, copy print from an original negative, emulsion mark along one edge. Work 8861.

An ear-defended xerox-blown fuse box with a hand written label, the years counted by crossings, matte painting with a live column in it, time base error across a frame. Work 8859.

A tube rack of eighty identical mouths in the style of a ruling pen wiped on a cloth up a ladder to the high pigeonholes, the winter the sheets were copied. Work 8832.

Camel-coated two men in overcoats beside a low slung wedge, midweek in 1987, varnished dealer poster. Work 8826.

Single frame move along a street of a gutter of split dowel along a roof, 16mm negative graded for a hobby film, black surround cropped to the town. Work 8824.

Five hundred summers from now, a relief pattern cast into a facade amid silos throwing hard shadow, photochemical print with a grey base, warm-toned print on a matte surface. Work 8821.

Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star. Work 8818.

Back cover photograph of a yard of a skip with a burned out base, two colour litho off register at the edge, dust trapped under the ink film. Work 8813.

Three colour mezzotint of a half timbered house, heavy contrast under hard lamps, colour gone warm in the dupe. Work 8811.

An air-conditioned stream of lights between vertical walls beside a cooling stack venting heat, the decade of the vertical franchise, human scale figure for reference. Work 8806.

The winter of 1968: VHS box art of pincers beside a wall of armco. Work 8782.

A print room across a walled kitchen garden in the drive-in years, Belle Époque affiche, Ilford HP5 Plus. Work 8779.

Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.

Shift lens elevation of a facade of an overbearing painted band marking a level against a sky pale with dust in the second era of the quarries. Work 8771.

The last full order book: an open-doored gas holder above the works, large format industrial still life, cyanotype of a mill elevation. Work 8770.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.

An afternoon that did not end, a spout carved as an animal head beside a beam nodding in a stone room, grain sitting in the shade, carbon print in a cool pigment. Work 8760.