The collection · DiffusionLab

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7104.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7103.

A perfumed woman in a tailored waistcoat holding two flutes beside a couple wrapped in a white quilt on black hide, the last good quarter, poster illustration in hot enamel colour. Work 7087.

An airless bolted-together suit stand with a helmet on the shelf, the last of the crewed stations, concept illustration in cold greys, lith print with a crushed shadow. Work 7086.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

A suited figure beside a tank taller than a hall, the second generation of gantries, wood engraving in a weekly paper, heavy-black chromogenic print. Work 7065.

Surface satin stitch with no padding of a radiator with gilled tubes outlined in back stitch, the mid Victorian decades. Work 7062.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 7060.

A traveller in an impossible moulded silhouette along a seam where two colours meet in the third crossing season, separation master with three flat hues. Work 7057.

A black figure on a sheet of pure white before the wind comes across the pan, the sled came back lighter than it went. Work 7045.

Long lens compression across a flat of a well head ringed with poured concrete and a sealed desert suit standing in open sand, the quiet centuries, offset lithograph in four earth inks. Work 7039.

A turquoise-lit traveller in a mirrored helmet full of colour beside a suited figure at the centre of a colour wash, the year of the long transit, held frame with only the light moving. Work 7021.

Poster paint colour under photofloods of a clay penguin dipped in white and a clay chef under a tall paper hat, one long afternoon in 1969, flying spot telecine transfer. Work 7020.

Architectural photograph with a shift lens of a woman in a gold belt on a black lacquer table in winter 1983, grain enlarged from a small frame. Work 7015.

Folk art label with a naive figure of a wearer with a hand out for balance, negative rated for a bright interior, video smear off a bright ball. Work 7007.

Quirky 1960s claymation scenes, cinematic, dance party, reproduction with the paper grain in it, scanned from a well-read copy. Work 6984.

The debut sleeve: a high-gloss palette with a chrome mix on it, gouache illustration of a horn line, dye and airbrush on hot pressed board. Work 6974.

A blackwork coif with silver spangles made of shepherdess with a crook among worked slips of flowers, 1712, a sampler pressed flat under glass. Work 6950.

The belt took his arm in 1911: newsreel frame of a mill closure of a spindle-scarred knocker up going along a street, 1910. Work 6920.

A bee-hived student's face in poison turquoise, a proof pulled before lunch, line block reproduction. Work 6904.

Sequence frame of a procession passing of a figure holding a triangle of thin steel and a yoke carved from a single beam, the third year of the same route, colour balanced to grey daylight. Work 6901.

Lens flare kept as composition of a sheet-numbered figure whose train is held out by hands, well into the age of the grown limb, tungsten stock in cold dawn air. Work 6895.

An assistant in dusty pink facing the lens listed as item two hundred, the year the gallery was glazed, specimen plate on a plain ground, offset litho on dull cream stock. Work 6892.

She skated backwards better than forwards: a Mughal emerald turban ornament in the second survey era, hachured relief plate, hand-lettered spine strip in fine marker. Work 6868.

A stood in a row observer with a magenta filter over the eyes, the era before the site was named, ceremonial stillness in the frame, colour separation with a cyan shadow bias. Work 6865.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 6861.

A grotesque head sprouting acanthus in the style of a head of cos lettuce tied with raffia under a rubric in vermilion, early 9th century. Work 6850.

A museum diorama of daily life, painted backdrop, mannequins, dust. Work 6848.

70mm widescreen film still of a crew member with the helmet on and nobody near underneath a lit white walkway, the fourth crew rotation, sharp corner-to-corner resolution. Work 6847.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 6846.