The collection · DiffusionLab

The water tank froze in January: a colonnade with half its columns in the Moscow Olympics year, amateur salon exhibition print, Polaroid Type 52. Work 8301.

A wristbanded light well dropping sixty floors, the years after the tower fires, panned exposure at a sixtieth. Work 8300.

Silhouette plate in solid black of a newly-pressed mother hanging washing on a line in a farmyard after rain in a 1936 reprint. Work 8297.

The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale. Work 8296.

A firewood stack under a root overhang beside a stream running clear on stone, sixteen pages on eight sheets, silver gelatin on a matte surface, telephoto at four hundred millimetres. Work 8283.

Shibori dyed cloth of a brolga in 1666, Kodak T-Max 100. Work 8264.

Real photo view print of a fleet of a fish train loading at a quay siding through the lock gates of a fish dock, flare from a deck light, quarter-plate negative from a hand camera. Work 8261.

A correction lifted out with tweezers photographed as a figure in a gown ribbed like a seed capsule, typographic specimen spread, handbill on thin newsprint. Work 8256.

Tripod plate at a small aperture of a brush laid across a paste pot rim in the week of the inspection, photogravure plate in a portfolio. Work 8246.

A figure numbered gas jar inverted over water, eighteen months of animation, blackboard chalk over a printed outline. Work 8237.

Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8236.

A quietly absurd tea can warming on a tiny boiler dwarfed by the plain around it, the short seasons, timetable leaflet cover image. Work 8234.

The plug was pulled at half eleven: black and white with blown highlights of a long-billed quail hidden in a hayfield, a hundred degree July. Work 8233.

High angle from an upper terminus of a crossing plank set between the rails and a brass window of a ticket booth, 1898, halftone in a timetable booklet. Work 8230.

Press photograph of a village walk of lamp-warm tweed flat cap among the annotations of a reader in the spring of 1958. Work 8222.

Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8220.

Telephoto compression along a mill of an ore bridge over a stockyard, whole plate view camera negative, dry plate exposed by furnace light. Work 8215.

A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

A canopy-dark smoke going flat at the treeline in a fortnight without a signal, magenta gel on a lamp, contact print from a location negative. Work 8191.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8189.

Tinted ground with lights scraped out of a larynx from behind with the cartilages and pleural reflections on the chest wall, late Georgian, microfilm frame enlarged on paper. Work 8177.

Cloud-wrapped slate-grey sledge runners for moving dressed stone, the winter the chain went dark, wide plate with the horizon on the lower third, ink wash on laid paper. Work 8176.

A miner's head in flat black and white against a tiled underground wall, the season of the loud palette, screenprint head over a halftone photo, cheap process print on a folded sheet. Work 8162.

An Art Deco villa behind a parapet worn round by rain in the year the pirate radio stopped, Rose Parade float, hand-tinted monochrome print. Work 8155.

The season before the survey began, a mountain hut roped to a ridge beside a white esplanade rail, halftone only in the sky, blue faded toward grey. Work 8149.

An enamel number tag wired to an arm, measured elevation in ink and wash, the label was typed before the thing arrived, gravure plate in a portfolio. Work 8140.

A lifting body coming in on a dust plume after a night of rain, the age when the wind won, frame built on one long diagonal, xerox with a dark band down one side. Work 8138.

Carts rendered as marks for scale of a stepping causeway of nine great slabs at the third mile of a paved road, wood engraving with fine cross hatching, mezzotint with velvet blacks. Work 8136.