The collection · DiffusionLab

The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface. Work 8759.

The hour before the light changed: a scaled barrier of pale mint panels, institutional brochure interior, blueprint of a lobby plan. Work 8750.

Steel arch supports in a main road in a crush of men leaving the cage, the seam ran out in March. Work 8747.

A model of a city that was never built, architectural photography, hard light. Work 8746.

A wind tunnel with nothing in it, industrial photography, hard light. Work 8740.

Mezzotint over an etched foundation of a pair of colossal seated figures flanking a pass in the age of the high builders, one working printed short of the edge. Work 8732.

A timetabled timber frame straddling a shaft beyond a curve of gleaming rail, the dry half of the year, the spill dried before it reached the wall, backlit crowd rimmed in white. Work 8727.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

Muted ochre against near black of a catchment terrace angled to a cistern between a stair and a sheer drop, architectural transparency on daylight film, 6x6 negative on a levelled tripod. Work 8709.

Balinese Kamasan painting of a shape in the fog taller than the church over a halftone crowd, existing light, rubber-stamped date on the back. Work 8705.

A hot dog van in the style of a counter assistant in a nylon overall under a strip of masking tape, the year the works canteen closed. Work 8703.

The Mamluk years, an utility pole with a transformer during the all-skate, gold toned print in a warm grey, standard lens with no distortion at all. Work 8702.

A town square with the shops shut, kodachrome, midday, nobody. Work 8701.

The last dry winter: columns standing in water to their bases at an inscription band half legible, matte painting of a drowned interior, contact print by daylight on the bank. Work 8689.

1942: a grain-warmed elevator at last light, prairie newspaper front page photograph, gum bichromate print. Work 8683.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

The hotel was shelled in the war: a semaphore signal arm against a pale sky in 1931, streamline poster with speed lines, photogravure in a warm brown. Work 8673.

Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast. Work 8670.

The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale. Work 8668.

Shafts of sun down a gate passage across a plain standing under water, the third series of the standard body, industrial catalogue photography, available light laboratory frame. Work 8661.

A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys. Work 8655.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.

A smoke-veiled speaker flown from a chain hoist above the deck on a top rail, two days before the doors opened, the frame outlasted the building, sleeve front with a steel frame photograph. Work 8643.

Two figures walking the length of a wall among pillars set at equal spacing, the age of the measurements. Work 8638.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

The second ascent: duralumin-framed two clerks in dusty pink jackets, volumetric beams through a hangar haze, letterpress plate with a number block. Work 8630.

Presentation plate for a learned society of a wall of mudbrick one storey high in three days of continuous hauling, magnesium ribbon burnt on a shore. Work 8628.

A follow spot picking out a soloist beside a chrome staircase, export catalogue illustration, video smear off a chrome stair. Work 8627.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

Architectural model photographed in colour of a corner shop with a striped awning with talcum snow on the slates, one wet August in 1966. Work 8624.