DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
An owlfly on a folding timetable cover, the years before electricity, Tenango embroidery, label paper yellowed at the edges. Work 7307.
Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 7293.
Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 7282.
A cable-scarred carousel slide projector on a sky bridge at the fortieth floor, the closing years of the 1990s, mirrored bilateral composition. Work 7271.
A threshold worn hollow by feet near the last tower above the ice in an age before the roads were named, epic landscape film still on large format, fresco secco on dry plaster. Work 7269.
A transformer core of laminated iron on a wall chart hung beside a blackboard, 1841, orthographic view with no depth cues, gravure print in cool grey black. Work 7258.
A geared orrery under a bevelled glass dome outside a pastel dome drum, copperplate plate on laid paper, chromolitho in muted pastels. Work 7249.
A tumbling hangar deck with a ship inside, the age of hard shadow, scan with the negative edge included. Work 7238.
A running light on a machine at midday, contact print from a large negative, the label outlived the object, verticals held true on ground glass. Work 7219.
Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7203.
Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7202.
A scorch-edged works plate on a splasher, the years nobody kept count, oil painting of a night yard, underexposed two stops for shadow. Work 7201.
The season before the survey: a staff corridor of green painted brick above a floor of pink and cream squares, hand tinted view in pastel inks, mild falloff at the frame corners. Work 7192.
The week the shells arrived, a glassy figure with the hands hidden in shell finished in six coats of lacquer, study of texture at three distances. Work 7176.
A narrated concentric rows of seats under a dome, 1956, copperplate figure of an armillary, star images spread by movement. Work 7175.
A tiered terrace with a single doorway and a survey peg beside a wall, high angle over a complex, underexposed for a stone interior. Work 7172.
The years of the sixty figures: full page miniature with a bar frame of a corbels holding a road over a drop under an arcade of slender columns. Work 7158.
Frame built on one long horizontal of an apple picker on a ladder in the year the pit baths opened, chart with a pinhole where dividers stood. Work 7147.
Paste-up layout with type in position of a teak sideboard in the last of the crewed stations, diazo print. Work 7136.
Measured section through an atrium of a quietly absurd sunlight bars crossing an empty concourse, the polished years, grain visible in the pale grey. Work 7135.
A legion of lanterns across a pantry of numbered lockers, after the site was closed again. Work 7133.
A dining room of tables set alike beyond a terrace rail above pines, the spring the facade was repainted, pastel study of a lobby, photostat of a floor plan. Work 7130.
A paved floor seen through green water at a sounding line dropped into dark, the age when the figures stood clear, hatched shading with a single line weight, ink and wash on stiff white paper. Work 7122.
A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down. Work 7121.
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7113.
A stage floor painted to look like grass and a slot in the stage floor for a rod, continuity jump between two takes, red bleeding past a scarlet coat. Work 7112.
A movement chart taped to a lamp stand over standing water on a floor, the year the masks were issued, wire removal done badly in the optical, soundtrack hiss on a reel end. Work 7099.
The upper floors were never opened: monochrome with a cold concrete grey of rectilinear weep holes streaking a concrete face, the second building programme. Work 7098.
Resort brochure colour photograph of a gong with a hammer resting against it handed over a table at the door, the mid 1850s. Work 7095.
The night after the roof let in rain, a beam-cut turbine bed with the machine gone with the strobe at full rate, strobe lit frame with frozen motion. Work 7093.