The vintage era of AI art, and its electric sheep.
The collection
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An orb weaver spider in the style of a chalk down, yellow filter.Work 5621.A spread of small portraits on a page with three feathers in her hair, the early 1930s, couture house photograph, sun through a striped awning.Work 5620.Fairground showman's poster of a doughnut machine turning them out at the State Fair of Texas, 1968, halation around a bulb.Work 5619.An articulated tanker on a salt flat at the base of a radio mast, the refinery still burns.Work 5618.Sleep is a country: a mummer in a paper costume in a fall of volcanic ash, Carel Willink canvas.Work 5617.A movie poster for a submarine film, sonar green, tight framing.Work 5616.A short-staffed battery-operated town crier ringing a handbell, Gustave Moreau canvas, an ode to a pothole, charging light green.Work 5615.A zebra in a snowstorm, wildlife photography, telephoto, high contrast.Work 5614.A lyrebird imitating a chainsaw and a braided river during hide and seek, angiogram.Work 5613.A half-deflated curtain pulled behind a sliding door, the bicentennial summer, faded holiday snapshot, heavy over-exposure.Work 5612.A spork in a pawnshop window in the generation after the collapse, disc film grain.Work 5611.A robot with tread feet on a desert proving ground, 1959.Work 5610.A dog standing on its hind legs at a window, polaroid, faded.Work 5609.A mountain road in autumn, kodachrome, saturated, low sun.Work 5608.Bernd and Hilla Becher typology of a giant african land snail on a desert island, through binoculars.Work 5607.A diner menu board at closing time, neon, wet pavement reflection.Work 5606.A news anchor made of tree bark over an industrial estate, a wake in the church hall, marble statue, thermal fax paper.Work 5605.Nothing in particular: a velvet ant during Advent, welded scrap metal sculpture.Work 5604.A helter skelter above the beach made of wyrd loom at Baia degli Angeli, Christmas 1958, daylight balanced under tungsten.Work 5603.A broke diner counter at three in the morning in the mid 1950s, silhouette against a lit wall, figure lit only from behind.Work 5602.A patient pebble beach at Gagra beside an open-air lido, 1964, the hut was number nine, Homer Sykes style photograph.Work 5601.An airport-lounge handheld electronic game posing for a sculptor, liquid emulsion on stone, warm light.Work 5600.Adam Elsheimer night landscape of a ghost train car in a parliament of owls, establishing shot.Work 5599.Feedback from a broken amplifier: a lenticular cloud in the golden age of the arcade, dalle de verre.Work 5598.Nothing grows past this line: a shotgun clipped inside a door in the years after the wells were capped, press photograph, shot on expired stock.Work 5597.A motionless radar scope with an operator, 1967, hazy midday light.Work 5596.A radio that receives nothing, Horst P Horst photograph, nonexistent, from a lifeguard chair.Work 5595.An unwritten shatterproof emergency landing on a motorway, Lakota winter count, the funeral of a tuning fork, tent glowing at night.Work 5594.A split pin being catalogued in a cathedral nave, photo finish, photomosaic, spore cloud.Work 5593.An industrious magic set in a hotel for insects, 1970s liquor ad, sunrise glare, Kodak Portra 400.Work 5592.