The collection · DiffusionLab

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

A shadow of a rail across concrete along a band of ribbon windows, white space treated as a shape, wood type printed over a flat ink. Work 8613.

The dirty thirties: a rope-slung distributor head spinning over the bins, grading standards reference plate, exposure set for the highlights. Work 8612.

The years of the glass pavilion, a rivet-studded power line marching to a horizon cut hard against flat red, elevation in flat ink and no tone. Work 8611.

A mounted on velvet doorway with a slab door standing open at the centre of a long bench, the years the works ran on, the numbers on the blocks skipped one, hand tinted plate in mint and pink. Work 8609.

A camera mast turning slowly made of announcement screen over a trading floor across the plaza at the tower foot, the years the sun reached only the crowns, pen and ink cutaway with hatching. Work 8605.

A salt-ringed forked post holding a crossbeam behind a wall of stacked loads, the season every herd came at once, dark robes against pale limestone. Work 8593.

A cinema marquee for a film that does not exist, movie poster, rain, night. Work 8588.

Mail order catalogue sheet of a disused turbine hall as a venue, offset litho in black and one spot, grainy bromide enlargement. Work 8581.

Grain heavy dupe of a composite of a projector running one frame at a time at the foot of a plaster column, emulsion scratch across a plate shot, soundtrack hiss on a reel end. Work 8574.

An acid pink soda glass with two straws blown up to the height of a wall, the hundredth issue, billboard-scale comic panel. Work 8563.

A bay-deep drip line falling from a vault rib in an age of one drip and no other sound, magnesium flash used once in a dark bay, charcoal with a stump on laid paper. Work 8562.

A rushed toy catalogue robot printed twice in the quarter the press was overdue a service, broken type where the plate scratched, green where the flesh should be. Work 8561.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

The time of the great haulage: chisel texture described in the shadow of a hand of a gate figure resting on a knee beyond a collapsed arch of a bridge. Work 8555.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8544.

Subsidence claim survey photograph of a cannonball pyramid beside the arms of a subscribing family, the year the last tram ran, large plate with visible lamp halation. Work 8536.

A lintel cracked by a trunk and a cloth tied around a stone pillar, enamel on copper in a small oval, tungsten stock in a stone room. Work 8532.

The years of the survey: a wet stone holding a violet sky through a gallery of columns, held wide shot of a courtyard, 65mm negative on warm stone. Work 8525.

A foiled niche with a painted vault beside a diaper ground of stamped patterns, around 1200, antiquarian manner of jewelled mosaic. Work 8516.

A mirror-shaded spiralled street corner from the fifth floor, high season on the bay, pastel airbrush advertising illustration, airbrush artwork with a masked horizon. Work 8512.

A storm-battered tower half swallowed by a snowfield under a shaft of sun on one tower, the winter the chain went dark, topographic survey illustration in wash. Work 8505.

The winter the wing was shut: a funicular-served planet projector on an armature, pastel study of a lobby, mimeographed programme page. Work 8496.

Hard-edged futurist illustration of an antenna mast crowded with dishes beneath a crest cut into stone, the decade the sky was sold in lots. Work 8491.

A fan of sidings under a floodlight, cine film frame in 16mm, my father booked on at four, enamelled steel sign panel. Work 8485.

An abandoned oil rig photographed as a Zuni fetish carving, magenta and cyan split lighting, Konica Infrared 750. Work 8484.

One wet August in 1966: tilt up a paper chimney of a fire station with two tin engines on a hill of plaster over wire. Work 8483.

A two column text with a painted miniature and a drum lid stencilled with a letter down a ramp into a sealed opening, early 11th century, architecture rendered without depth. Work 8480.

A dozen lifetimes on: a concrete screen with a repeated opening in the shade of an undercroft, shade and glare with no mid tone, stopped down for a deep focus field. Work 8478.

Tableau in a stone courtyard of paper flags strung between columns in one year after the road closed, print with highlights held down. Work 8474.