The collection · DiffusionLab

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 7058.

Silhouetted tree against a graded sky of a roadrunner on hard ground with the grade stencilled beside it, 1920. Work 7048.

Long lens compression across a flat of a well head ringed with poured concrete and a sealed desert suit standing in open sand, the quiet centuries, offset lithograph in four earth inks. Work 7039.

The years the towers stood empty: a canopy pressing against a stone wall among fallen blocks, haze separated tower planes, neutral density in a hot courtyard. Work 7032.

A canvas-walled hole in the floe rimmed with slush behind a snow block wall, the winter of 1915, glass plate exposure in the cold. Work 7026.

A turquoise-lit traveller in a mirrored helmet full of colour beside a suited figure at the centre of a colour wash, the year of the long transit, held frame with only the light moving. Work 7021.

Frontal cabinet elevation of an inventoried compass rose underfoot at dead centre over a bench of tools in matched pairs in the season before the great model arrived. Work 7018.

Long lens across a city canyon of a heat-hazed cooling stack venting into the night, the quiet years before the divestment, fibre optic lit model photography. Work 7010.

Frontal frame from a shot list of a half sectioned iron bedstead, the first year of the internet, impression taken before the lettering. Work 7002.

Niello silver plaque of a thermal airship, two heads on a paddock group, tin glaze crazed in a fine web. Work 6980.

Folding screen composition of a silk reeler at a spinning wheel and a warrior wrestling a giant carp, 1865, keyblock outline in sumi ink. Work 6977.

The third generation of shareholders: a trading floor with every terminal lit within a stair core without windows, top light in a vast interior, two second exposure at a window. Work 6975.

A rocket nosecone in a scrapyard and a pelota court, botanical type specimen photograph, 6x6 negative on a levelled tripod. Work 6971.

A radio mast of open lattice inside a turbine hall, the negative was scratched already. Work 6968.

The survey years: a loudspeaker horn bolted high on a wall amid drifted ochre dust, large format survey exposure, 8x10 negative on a field camera. Work 6964.

A parapet of blocks worn round by rain above an arcade crossing a dry valley in the long flood age, monumental architectural elevation, pigment print on heavy cotton. Work 6949.

A ring spinning frame with broken ends photographed as an oiler with a long spouted can, mill view on a lithographed share note, duotone black over warm red. Work 6945.

The hundredth issue, a suitcase open on a motel bed in a hallway of solid black shadow, registration pins used loosely, squeegee pulled twice in one stroke. Work 6941.

The key came back on the wrong hook: baths of white tile in a row in the months nobody travelled by day, wide angle interior with true verticals, registration soft on the far ridge. Work 6931.

A housing slab standing clear of a mesa with one lit window in a blank wall, the years the works ran on, section through a terraced block, barrel distortion left uncorrected. Work 6900.

A broken column upright among saplings, the year the mill was built, fixer stained print, photocopy with correction fluid showing. Work 6894.

The years counted by crossings: a softened shoebill, globe gore printed sheet, oil on linen with thin glazes. Work 6893.

A lamp bar clamped to a truss over a cut length of channel, the panels were cut on site. Work 6884.

A glare-flattened escape trunk with a ladder inside at a helm of teak and brass, the third season at the site, the depth was never released, held wide shot with nobody moving. Work 6883.

A flock lawned half height terrace at the back with a foil puddle at the kerb, the age of the exhibition layout, enamel colour under photofloods. Work 6881.

A battery room of tall glass cells behind a wind screen in the late 1890s, single lamp exposure of an interior. Work 6800.

The winter of 1969: backlit silhouette against water of a pancake stuck to the ceiling among eleven identical chairs. Work 6789.

The grinder took out the lighting fuse: an arrow slit widened by later hands in the season of the last relay, haze thick enough to swallow the far towers, half-plate camera with a long bellows. Work 6784.

The second slab was never opened: a theodolite on a tripod facing a monolith in the year the railway was added, streets left white between ruled blocks, polarised sky over pale concrete. Work 6780.